RFQ: City of El Paso Public Art Program pre-approved artist list (El Paso, TX)

City of El Paso Public Art Program

The City of El Paso’s Museums and Cultural Affairs Department (MCAD) Public Art Program seeks to establish a new pre-qualified list of emerging and established artist and artist teams working in a variety of visual media and artistic approaches for its 2018–2020 Pre-Qualified Artist List. 

On November 6, 2012 the City of El Paso approved a Street Infrastructure and Quality of Life bond to include 2% for arts. The approved bond projects are a Children’s Museum, Hispanic Cultural Center, Multi-Purpose Sports and Entertainment Facility, Zoo expansion, new parks and recreation centers, Library expansions open space trail systems and streetscape projects.

Overview

The City of El Paso’s Museums and Cultural Affairs Department (MCAD) Public Art Program seeks to establish a new pre-qualified list of emerging and established artist and artist teams working in a variety of visual media and artistic approaches for its 2018 – 2020 Pre-Qualified Artist List. 
nOn November 6, 2012 the City of El Paso approved a Street Infrastructure and Quality of Life bond to include 2% for arts. The approved bond projects are a Children’s Museum, Hispanic Cultural Center, Multi-Purpose Sports and Entertainment Facility, Zoo expansion, new parks and recreation centers, Library expansions open space trail systems and streetscape projects.
PUBLIC ART PROGRAM
El Paso’s Public Art Program gives voice to the city’s creative spirit – shaping El Paso’s visual identity, defining places that anchor the community, and contributing to the city’s evolution as a dynamic urban place. The program seeks to:

• Enhance the quality of life of residents,
• Support creative and professional growth of the arts community,
• Support economic growth,
• Enhance the experience visitors have of El Paso, and
• Promote authentic images of El Paso as a unique place, community and destination.

Pre-qualified Artist List

The City of El Paso Public Art Program Pre-Qualified Artist List is open to receive applications from established as well as emerging artists who are interested in being considered for public art projects. The list is used to streamline the selection process and opens up every two years for artists to submit their information, once submitted an artist will be able to remain on the eligibility list for three years before re-applying. As public art projects arise, artists will be pooled from the list and placed for review and consideration to the project.  The City of El Paso requests qualifications from professional visual artists or artist teams who live in the United States. Artists living within a 100 mile radius of El Paso are strongly encouraged to apply. 
The list will also be made publicly available, for consideration of other projects by private developers, University of Texas at El Paso, Texas Department of Transportation, and other City entities.

Budget

The funds for public art project are derived from the 2% for public art portion of the City of El Paso net proceeds of any revenue bond or certificates of obligation issued for construction projects throughout the City.  The award for an artist contract can range from $20,000 to $500,000, inclusive of community collaboration, design, fabrication, and installation of artwork (including shipping expenses and insurance), travel, and all other project related costs. 

Eligibility Requirements

If interested in applying, Applications must be submitted using the Call for Entry (CAFÉ) online application system managed by the Western States Arts Federation (WESTAF). Artists will be required to create a username and password and set up a personal account, free of charge, at www.callforentry.org. Following successful set up, all interested applicants will be granted full access to our detailed application; simply click on “Apply to Calls” and click on “City of El Paso 2018-2020 Pre-Qualified Artist List”

Submission Requirements

• Letter of Interest: briefly describe your interest and qualifications for this project.
• Current Resume: outline your experience as an artist. Artist teams must submit a resume for each member.
• Six (6) images of completed past artworks. Including: title of work, dimensions, medium, year of completion, a three (3) sentence description, and value or budget amount for works of art for insurance purposes. If applying as a team, only six (6) images can be submitted to CAFÉ.n n
  • Images must be sized to the following dimensions (as required by the CAFÉ online application system)n n
    • Dimensions: 1920 pixels horizontal or vertical, i.e. 1320 x 1920 pixels
    • File Format: Baseline JPEG (do not use progressive JPEG format)
    • Compression: Please size each image to be no more than 1.8 MB in file size. On average, each image will be roughly 1.2 MB. Larger is not necessarily better. JPEG images cannot be saved as progressive JPEG files. Progressive JPEG files will appear on the CAFÉ web site, but will not display properly during the jury process.
    • Media: Internet submissions only
    • File Name: CAFÉ will automatically rename files

Artist Teams: submit images of work that demonstrates a collaborative effort to create an artwork by all members of the team. In the Letter of Interest please state how the team has worked collaboratively in the past and what role each team member played. When applying as a team you are expected to accept a commission as a team throughout the two year term in the artist list. If your team dissolves, individuals will not be considered for commissions and each artist must re-apply individually.
 

Review Criteria

• Meets the definition of Artist, as defined in the Public Art Master Plan and Guidelines “Artist, an individual or collective generally recognized by critics and peers as a professional practitioner of the visual, performing or language arts, based on a body of work, educational background, experience, exhibition history, publication and/or creation of artwork.”
• Demonstrates artistic excellence, innovation and originality as represented in past work and supporting materials.
• Demonstrates capacity for working in media and with concepts that are appropriate to the project goals and site.
• Demonstrates interest and capability in creating public artworks in collaboration with the City, MCAD, the design team (if applicable) and other project partners.
• Demonstrates interest and capability in engaging community representatives in a project.
• Demonstrates the ability to communicate effectively and elicit the ideas of team members; flexibility and problem-solving skills; and ability to work with architectural drawings and construction documents.
• Demonstrates experience in successfully completing works of similar scope, scale, budget and complexity, or articulates how he or she would be able to bring the necessary artistic and technical skills to this project.
• Is available to perform the scope of the work in a timely and professional manner.

Builds the diversity of the City’s public art collection.
 

Timeline/Schedule

May 18th, 2018: RFQ Application Deadline
May-June 2018: Artist selection panel review of qualifications and recommendation of List
June 2018: Approval of list by the Public Art Committee
June 2018: All Artists will be notified

Residency: Charlotte Street Foundation wants to see what you're making (Kansas City, MO)

Charlotte Street Foundation is seeking applications from visual artists, performing artists, and writers interested in being considered for its Studio Residency Program. Applications are due Monday, May 15, 2017 for year-long studio residency terms, which run September 2017 through September 2018. Applications will be accepted EXCLUSIVELY through www.callforentry.org. All applicants must create a Call For Entry (CAFE) username/password account in order to use the online application. The application process is competitive through an independent jury process and based solely on the merit of the artist work samples and written statements. Charlotte Street Foundation administrates the jury panel each term.

Entering its fourteenth year, the Studio Residency Program provides free studio and rehearsal spaces to exceptional young, emerging, and/or already accomplished artists in need of workspace in which to create and to develop their creative processes, professional practices, and peer networks. Through the program’s offerings—which include studio space, required monthly meetings, presentations, studio visits, mentorships, public programs, exhibitions, and access to a multidisciplinary network of artist peers—Charlotte Street’s Studio Residency Program encourages creative production, artistic experimentation and collaboration, professional development, and community building.

Charlotte Street Foundation addresses artist’s need for studio space in Kansas City by securing vacant downtown office space, in partnership with generous real estate owners. Since its inception in 2004, the program has supported hundreds of artists. Approximately 30 artists will be in residence during the year-long term (September through September). Charlotte Street strives to have an equal mix of emerging and established artists representing a multiplicity of disciplines. Applicants will be notified by July 2017.

Studio Space:

Currently, Charlotte Street Foundation provides studios at:
Town Pavilion, 1100 Walnut, 6th Floor, Kansas City, MO 64106.

• Visual artist studios, to which artists are granted 24-hour access, range from private spaces to dedicated areas within larger, open shared spaces.
• Performing artist studios, to which performing artists are granted shared 24-hour access with dedicated time slots, include a rehearsal space with dance stage and Marley floor for dancers/choreographers and a separate rehearsal space with a piano for music and theatre/performance artists.
• Writer studios, to which writers are granted 24-hour access, private and semi-private studios with wireless internet access.
• All studios are workspaces only; the program does not provide residential accommodations.
• The studios are not furnished and do not include access to specialized equipment, tools, materials, etc.

Program components:

Participating artists are expected to commit to advancing their artistic practices and professional development, building a sense of community in the studios with their fellow artists, and leveraging their residencies toward future opportunities. Note: Artists who do not make full, creative use of the opportunity may be asked to leave the program. Also note: All artists selected for residencies will be required to complete goal-setting worksheets and then meet with Charlotte Street Foundation staff for short, in-person interviews prior to the commencement of their residencies in order to review goals, plans, space needs, etc.

In addition to providing free studio space for artists in which to create new work and connect with a community of peer artists of all disciplines, the studio residency program provides important exposure for the participating artists and a range of supports geared toward helping them build their artistic careers. These include:

• Monthly meetings — Studio Residents are required to attend monthly all-resident group meetings the Third Monday evening throughout the term. The meetings allow the artists to connect, collaborate, and share resources. Guest speakers are also scheduled throughout the term to present opportunities and professional development tips to the residents.
• Mentorships — Residents are paired with volunteer artists or arts professionals from the broader community, who agree to meet periodically over the course of the term. Each artist completes a goal-setting worksheet at the onset of their residency, which is shared with their mentor to help guide the objectives of the mentorship.
• Studio Visits— Artists, gallerists, curators, writers, etc. are invited for one-on-one studio visits with residents, arranged both by CSF and by residents themselves. These visits provide experience, feedback, and new connections for residents.
• Open Studios Weekend—The annual Spring Open Studios Weekend provides opportunities for residents to meet and share their work with the broader community. The public is invited to visit the residency studios, meet artists and see new and in-process artworks, experience live performances, hear artist talks, writer’s readings, and more.
• Resident exhibition / performances / public programs — In addition to the Open Studios weekend, residents selected for 2017-2018 terms will have several additional opportunities to share their work with the public, including a Slide Slam evening presentation, Visiting Curator Resident Exhibitions throughout the term, and public performance opportunities in downtown Kansas City.
• Residency Blog– Charlotte Street Foundation hosts a residency blog featuring artist profiles. Resident artists are expected to author posts throughout the term. CSF utilizes the blog for curatorial selections, studio visits, artist interviews and social media.

Volunteering:

Artists participating in the program are REQUIRED to volunteer 5 hours per month assisting with Charlotte Street efforts, including gallery-sitting at CSF venues, distributing promotional cards for CSF events, assisting with exhibition installation, community outreach programs, and other related activities.

Eligibility:

Residencies are granted to selected artists for one-year terms, which run September through September. Artists who make exceptional use of their studios are eligible to apply for a second year term, with their applications subject to the same competitive review as new applicants. Full-time students will NOT be considered.

• Visual artists working in all media are encouraged to apply. Note, the use of toxic materials in studios is prohibited. The studio spaces do not enable the use of a kiln, welding equipment, or other heavy machinery. The majority of spaces are not light or sound-tight.
• Performing artists working in all disciplines are encouraged to apply, including theatre artists, choreographers/dancers, composers/musicians, singers/songwriters, performance artists, filmmakers, and cross-disciplinary artists.
• Writers working in all genres are encouraged to apply. Particular preference will be given to artists with a strong interest in working in a cross-disciplinary environment with access to other artists, including those whose focus is on critical/expository writing about art/artists and contemporary culture.

Application Requirements: To apply, visit www.callforentry.org.
Applications are DUE by midnight (CST), Monday, May 15, 2017.

Applicants will be required to submit:

• Contact information
• Two professional references
• Resume/CV highlighting your artistic training and accomplishments
• Statement describing your work, intent, and vision (500 words max)
• Work samples — from the past 3 years:
  • Up to 10 jpegs for visual artists
  • Up to 3 audio or video samples for performing artists or exclusively time-based visual artists
  • Up to 5 jpegs + up to 2 audio/video samples for visual artists working in combination of still and time-based media
  • Up to 3 writing samples/excerpts for writers, no more than 10,000 words total
• Statement of intent, including:
  • Description of need and desire for the studio
  • Plans for the use of the studio and work to be created/developed
  • Estimated hours per week expected to be spent in studio
  • Description of materials and processes used in studio practice. (Note: if your work requires the use of equipment or processes not possible in the studios — i.e. you use toxic materials, a kiln, welding equipment, require high ceilings or a light, or sound-tight space, etc. — explain how this would impact your use of the space and its value to you.)
  • Goals and expectations for participation in the studio program; How will the residency contribute to personal, creative, and professional growth?
  • Contributions you will make to the program/community of resident artists; specific skills, strengths, interests, experiences, etc. you might bring and share; particular activities you wish to instigate or organize, etc.?

Applications are reviewed and selected through a competitive two phase jury selection process May-June. The jury is made up of local and regional arts professionals and artists invited by CSF. CSF administrates the jury process. All applicants will be notified in June 2017. One-on-one meetings with the selected resident artists and CSF will take place July/August. The residency term begins September 17th 2017.

Charlotte Street Foundation, founded in 1997, is a nationally—leading, non-profit, Kansas City-based organization whose mission is to challenge, nurture, and empower artists of exceptional vision. CSF identifies the needs and fuels the evolution of an ever-changing multidisciplinary arts ecosystem, acting as its primary provocateur.  We cultivate the contemporary, the exceptional, and the unexpected in the practice of artists working in and engaging with the Kansas City Art Community.

For more about Charlotte Street Foundation and the Studio Residency Program, visit:

http://www.charlottestreet.org

https://www.callforentry.org/festivals_unique_info.php?ID=4297

http://www.charlottestreetstudios.wordpress.com

please email info@charlottestreet.org with any questions.

RFQ: Outdoor Sculpture needed for Yountville Outdoor Public Sculpture Walk 17/18 (Yountville, CA)

http://www.townofyountville.com/arts

Yountville Outdoor Public Sculpture Walk 17/18
6516 Washington St.
Yountville, Ca 94599

APPLY TO THIS CALL

BACK TO PARTICIPATING CALLS
CONTACT EVENT

Entry Deadline: Rolling

REQUIREMENTS:

Media
Images - Minimum: 1, Maximum: 5 
Audio - Minimum: 0, Maximum: 1 
Video - Minimum: 0, Maximum: 1 
Total Media - Minimum: 1, Maximum: 5 
 

How to Apply
PLEASE NOTE THAT THIS IS AN OUTDOOR SCULPTURE WALK! WORK APPROPRIATE FOR OUTDOOR DISPLAY SHOULD ONLY BE SUBMITTED.

•   Each sculpture must be submitted INDIVIDUALLY. Please do not submit multiple sculptures on the same application.

• Images should accurately represent the work. 

•    Artists must include a description of each submitted work including dimensions, weight, title, and medium, date of construction, cleaning and maintenance instructions and sale price.
•    Completed artworks are preferred. If conceptual sculptures are proposed, the selection committee must be offered design drawings and in-progress photos and will have the option of refusing the completed work if it is not delivered as described.
•    Sculptures will be selected on the basis of their artistic merit, artistic context, maintainability and suitability for public display.
•    Artists that are selected to participate in the Art Walk will be offered a stipend of $1,500 to assist with transportation and installation expenses. Payment will be made upon the successful installation of the sculpture. Artists working through a broker or private party will be considered on a case by case basis.

Artwork Specifications
We have approximately 23 sculpture sites through the town located along Washington Street. All of the sites are visible from the sidewalk or from the walking path if located in a park. Existing concrete pads vary in size from 4’ x 4’ to 6’ x 6’.

•    The footprint of the sculpture must be smaller than the pad.
•    The sculpture must be able to be securely anchored to the concrete pad with bolts provided by the artist.
•    Artwork must weigh no more than 2,000 pounds.
•    Any projections beyond the perimeter of the pad must occur at a minimum of 7’ above the ground.
•    Sculptures must be structurally safe for display in public and must not have the potential to cause injury. All components must be securely fastened.
•    Sculptures must arrive in the same condition as portrayed in the photographs. The commission reserves the right to refuse a sculpture upon arrival if it does not match the photographs submitted.

Artist Responsibilities
•    Accompany his/her artwork to town and complete the installation of the sculpture. All works must be ready for exhibition upon installation.
•    Complete and sign the Voluntary Artist Agreement with the Town of Yountville.
•    Provide instructions for maintenance of the art work.
•    Provide information for website, Art Walk Brochure and other promotional materials.
•    Maintain up to date contact information with the Town for correspondence.
•    Attend an art reception/event to highlight the sculpture and artist.

Town Responsibilities
•    Maintain insurance for the sculpture at the value as stated on the Voluntary Artist Agreement.
•    Maintain the sculpture itself and the area surrounding it to the specifications outlined by the artist.
•    Provide marketing to promote the sculpture and artist including, but not limited to:
o    Press Releases
o    Inclusion in the printed and downloadable Art Walk brochures
o    Recognition on Town of Yountville website
o    Recognition on Yountville Arts website & Social Media Pages
o    A plaque/signage at the base of the sculpture
o    Include the artist and highlight the sculpture at a Yountville Arts event or reception
o    Invite the artist to participate in annual art related events.

RFQ: TIME - Temporary Installations Made for the Environment (Las Vegas, NM)

Entry Deadline: 5/4/18
Number of Applications Allowed: 20


REQUIREMENTS:

Media
Images - Minimum: 0, Maximum: 10 
Video - Minimum: 0, Maximum: 3 
Total Media - Minimum: 1, Maximum: 10 

 

TIME - Temporary Installations Made for the Environment – Las Vegas

The Art in Public Places program of New Mexico Arts and the Las Vegas community will commission up to five temporary environmentally based artworks to be exhibited in various locations in Las Vegas, New Mexico. The proposed artworks should relate to this year’s theme: “Convergence”

Project Intent

The strongest proposals will be for works which engage the temporary nature of this series of installations and relate strongly to the cultural and environmental histories of the area.  Site-specific and ephemeral works are encouraged. Artwork should appeal to both local residents and visitors to the area. No artwork requiring concrete pads or other environmentally damaging approaches will be considered. At the agreed upon time of removal, the artist will return the installation site to its original condition, subject to the approval of the site representative. Media must be low maintenance, safe for both children and adults, ADA compliant, and not leave a permanent mark on the environment when removed.

Site Information

Artworks will be located in exterior locations in and around Las Vegas. Specific sites for the artwork will be determined by the requirements of the selected artwork in conjunction with the TIME Project Selection Committee. Potential artwork sites include The Riverwalk, New Mexico Highlands University, Castaneda Hotel Chapel, Las Vegas Museum, Las Vegas Carnegie Library, E. Romero Fire & Acequia Museum, and various walls throughout Las Vegas.  We will do our best to accommodate site-specific works. Access to electricity may be available at some of the sites. To prevent irreparable environmental damage, no large holes may be dug or foreign organic materials released into the environment. Artwork must also be sufficiently secured against high winds and intense weather conditions that often arise in New Mexico. The artist understands that their artwork may be subject to damage, vandalism or theft at any time. Neither the Las Vegas Community, New Mexico Arts, nor the site host, will be responsible for such occurrences.  A map of sites and photos is available here. 

Project Amount

$2,000 per project for up to 5 artist/artist teams. This amount includes all applicable expenses that the artist may incur creating the artwork, such as materials, labor, insurance, taxes, installation, and retrieval of the artwork. Artists will be paid in 2 phase payments. The first phase payment of $1,000 will be made after the contract is approved. The second phase payment of $1,000 will be made after the artwork is installed and all required documentation materials are received. There is no medical or workers’ compensation insurance provided by the State of New Mexico or the site hosts. Artists will be responsible for providing coverage. The selected artists will be required to enter into a professional services agreement with New Mexico Arts.

Eligibility

This project is open to New Mexico residents aged 18 years and older only. Artists in all stages of their careers are encouraged to apply.

Calendar

April 3, 2018                       Project Announced

May 4, 2018                       Submission Deadline

June 30, 2018                      Artwork Installed

Late August                         Removal of artwork
      to September 

This calendar is subject to change. The selection criteria used by the Selection Committee shall include, but is not limited to: Quality of project concept, thoroughness of proposal, quality of past work, and how the artwork relates to the theme of Convergence, the culture and history of Las Vegas, and the environment.

Submission Requirements

Please read the following information carefully as incomplete or late submissions will not be accepted. Supplemental information beyond what is requested will not be reviewed by the Selection Committee. Failure to provide any of the published requirements will result in disqualification from the competition.

• A detailed description, including dimensions, materials, installation, lifespan, interactivity, content and physical impact. Please tell us what your proposed artwork means to you and what you're trying to communicate.

• Proposed artwork image(s). 1 to 4 images. Please review and follow the image preparation guide on CaFÉ.

• A CV  or resume listing relevant experience, including temporary environmental art installations if applicable.

• Six images of previously completed work. Please review and follow the image preparation guide on CaFÉ.

• An annotated image list containing the title, media, dimensions, year of completion and if applicable, project description, budget, and commissioning agency.

• A well thought out clean-up plan. You may not leave anything behind.

References for Convergence

The convergence of cultures, convergence of the railroads, the convergence of The Santa Fe Trail, the Burlington-Santa Fe Railroad (formerly the Atchison, Topeka and Santa Fe) and Interstate Highway I-25, the convergence of Gallinas Creek and Arroyo Pecos, the convergence of the Rocky Mountains and the Great plains, the convergence of histories, the convergence of architecture, the convergence of various education modalities.

Definition of convergence from https://www.merriam-webster.com/dictionary/convergence

: the act of converging and especially moving toward union or uniformity the convergence of the three rivers; especially : coordinated movement of the two eyes so that the image of a single point is formed on corresponding retinal areas

2 : the state or property of being convergent

3 : independent development of similar characters (as of bodily structure of unrelated organisms or cultural traits) often associated with similarity of habits or environment

4 : the merging of distinct technologies, industries, or devices into a unified whole

To then to meet in a point or line, incline towards each other.

When to or more thing come together to form a new whole.

About Las Vegas from https://www.visitlasvegasnm.com/about-us

Situated in the foothills of the Rocky Mountains is Las Vegas, full of unique cultures and beautiful landscapes. Las Vegas was once the largest town in the entire southwest and has held its size while the world has grown.

Las Vegas has over 900 historic buildings on the Historic Registry. Las Vegas is also home to the only United World College in the U.S.

In 1835, Las Vegas was officially founded as Senora de “Los Dolores de Las Vegas” or “Our Lady of Sorrows of the Meadows.” Although Las Vegas was considered part of New Mexico following the Mexican war, it had a rich and vast history with the Paleo-Indians and the Anasazi and Mogollon cultures. The town was a thriving farming town which celebrated an annual fiesta honoring saints James and Ann for providing the water needed to feed the community. This celebration became known as the Fourth of July Fiestas in 1888. The fiestas are celebrated every year with food, entertainment, parades and outdoor activities.

Upon becoming part of the United States, Las Vegas also became the largest community in the Southwest and housed well known outlaws and rebels, including Billy the Kid. In later years, the Santa Fe Railroad ran tracks through the town, attracting various cultures and making Las Vegas the central location for ice distribution along the Gallinas River in the Montezuma Pond.

Las Vegas was the historic home of many economic and cultural endeavors such as film-making, theater performance, ice distribution, railroad travels, Harvey houses, gold & silver mining, cowboy parades and so much more. The growth created West Las Vegas and East Las Vegas which were later combined and made into one town but still maintaining the East and West division and cultures.

Useful Links

https://www.nytimes.com/2007/11/16/travel/escapes/16american.html

http://www.lvcchp.org/ Grants-Cibola Chamber of Commerce

http://mainstreetlvnm.org/

http://lasvegasartscouncil.org/

https://www.legendsofamerica.com/nm-lasvegas/

Past T.I.M.E. projects

Questions/Follow Up

Please contact Naomi Gibbons if you are interested in applying to TIME 2017 or have general questions regarding TIME, email: naomi.gibbons@state.nm.us. A State of New Mexico W-9 is required with submission. Below you will find a link for the State W9 form. Please fill out the form and email to naomi.gibbons@state.nm.us. An actual signature is required on the W9 form. If you would like to sign up for direct deposit a copy of a voided check will be required.

http://nmarts.org/assets/files/grants/fy19_cycle/SoNM_SUBSTITUTE_W_9_Form___Secured__1.pdf

Finalists selected for this project and the artist ultimately selected for the commission will be required to enter into a professional services agreement with Art in Public Places of New Mexico Arts. Sample copies of the agreements are available upon request. It is unlawful for artists to solicit opinions or viewings from individual members of the Selection Committee prior to set committee reviews and will result in disqualification from the competition. We reserve the right to refuse submissions, to refuse any finalist, to waive formal procedures, or to withhold the award of a purchase or commission should it be determined that submissions are not acceptable. Application to this project constitutes agreement to abide by all applicable program guidelines.

Call for Artists: Scottsdale Public Art takes over Fire Station 603 public art project (Scottsdale, AZ)

Entry Deadline: 4/18/18

REQUIREMENTS:

Media
Images - Minimum: 5, Maximum: 5 
Total Media - Minimum: 5, Maximum: 5 


View Site Details
 

Scottsdale Public Art

Call for Artists/Request for Qualifications (RFQ)

Fire Station 603 Public Art Project

Application Deadline: April 18, 2018

Total Project Budget:  $45,000

Scottsdale Public Art is accepting qualifications from artists for a public art opportunity for Fire Station 603, to be located on 8191 E. Indian Bend Road between Hayden Road and Pima Road in Scottsdale. The selected artist will create a design for a Terrazzo floor and/or artistic glass treatment to be installed in the lobby and entrance corridor of the new fire station. 

Artists and graphic designers working in 2D media or who have experience creating a design for Terrazzo flooring are encouraged to apply. Terrazzo is a highly durable and sustainable flooring material made of colored resin and aggregate. Water jet-cut aluminum shapes and dividers can be included in the floor to enhance the design. For more info on artist-designed Terrazzo floors, you may visit the web site for the Western States Terrazzo Association: http://www.westernstatesterrazzo.com/

Different options for enhancing glass are exterior film, interlayer film, etching, or stained glass.

Site Description

The City of Scottsdale has contracted with Fucello Architects to provide planning and design services for Fire Station 603. The City plans to replace the existing Fire Station 603, which was constructed in 1971 and is the oldest fire station still operating within the city, with the new facility. The new fire station, which serves the McCormick Ranch area and Scottsdale’s “Resort Corridor”, will be located at 8191 E. Indian Bend Road. The new location will enable crews to respond to emergency calls more quickly. The "Resort Corridor" that Fire Station 603 serves is 11.7 square miles with an estimated population of 39,911 residents. In this Corridor, there are more than 3,000 emergency calls a year.

More info on can be found online at: http://www.scottsdaleaz.gov/construction/project-list/fire-station-603

Scope and Project Description

The project scope is to create a design for a Terrazzo floor and/or artistic glass treatment that will be incorporated into the lobby and entry corridor of the new fire station. A successful design for this project should address and creatively reflect the character of the McCormick Ranch area, including the “Resort Corridor”, making this station highly visible to both Scottsdale residents and visitors.

The budget for the project is inclusive of all costs associated with the project including the artist selection process, design costs, artist’s fee, fabrication, and installation. The budget includes all travel for site visits, community meetings, and meetings between the artist and the project design team. The budget includes all taxes and insurance. 

Scottsdale Public Art

In 1985, Scottsdale adopted a one percent for art ordinance and established Scottsdale Public Art with the goal to enhance the quality of life afforded area residents and visitors. Since that time more than 60 permanent, 26 temporary and 86 private developer-funded public artworks have been commissioned throughout the community. Presently 50 new works are in various stages of design and construction. Scottsdale Public Art’s projects have won local, regional and national awards. Public art has taken many forms ranging from the walls of the Pima Freeway to James Turrell’s "skyspace" at the Scottsdale Museum of Contemporary Art. The Scottsdale Public Art Collection includes traditional sculpture in the public square such as Ed Mell'sJack Knife, a ground breaking freeway project, Carolyn Braaksma’s The Path Most Traveled, and a signature pedestrian bridge by Paolo Soleri. The Scottsdale Public Art collection includes work by acclaimed artists such as Ilan Averbuch, Kevin Berry, James Carpenter, Cliff Garten, Laura Haddad and Tom Drugan, Larry Kirkland, Laurie Lundquist, Merge Conceptual Design, Dennis Oppenheim, and James Turrell. Projects underway include work by Phillip K Smith III (The Art Office), R & R Studios, and the artist team of Aether and Hemera.

Scottsdale Public Art seeks to incorporate the highest quality art in Scottsdale's public places in order to enhance the City's cultural and artistic identity and presence. Scottsdale Public Art seeks to instigate a renewed commitment to the public domain by way of such projects that may invigorate social, cultural, historical, or environmental issues. Projects may possess a direct social relevance that is community referential or they may push the "place making" envelope and involve the viewer in the complexities of the urban desert experience. Public art in Scottsdale is meant to combine a spirited perspective of traditional and new iconographies as well as celebrate and invigorate the vitality of public life.

Scottsdale Public Art advocates, promotes and enables the integration of the work and ideas of artists into many facets of planning, design and building in the community. Public art effectively invites community participation at all phases, from artist selection to dedication. During the design process, an average of 250 people may review each public art project.  Artists compete for a commission at a specific location; a project panel comprised of city residents and art and design professionals chooses the artist; and the artist's design is then presented at public meetings prior to approval and fabrication. In many cases, the artist becomes an integral member of the project design team.

Scottsdale Public Art is managed by the Scottsdale Cultural Council, a private, non-profit 501 (c) (3) management organization that administers the arts and cultural affairs of the City of Scottsdale, Arizona and also manages the Scottsdale Center for the Arts, and the Scottsdale Museum of Contemporary Art.

Scottsdale, Arizona

Scottsdale is the major resort center of the Phoenix metropolitan area. Although not all of the local major resorts are located in the city, the city contains the core of specialty shopping, art galleries, and recreational facilities and many of the cultural and sporting events that attract and sustain the local tourism industry. Because of the lack of services in most areas adjacent to the city, Scottsdale’s retail centers, parks, employment centers, and libraries are heavily used by residents outside of the city. The high quality of the visual environment and character areas in the city is an important component of maintaining the tourism industry and civic framework.

In his 2000 study entitled “Scottsdale City Image” (a report to the City of Scottsdale’s Urban Design Studio), Todd Bressi reports that “Scottsdale is a city whose visual character is especially important to its residents, and where the sense of landscape and openness in the city are valued.” He suggests specific values that would contribute to a strengthened identity of Scottsdale’s civic framework and primary spaces of public experience: recognize the importance of the pedestrian scale of Scottsdale’s civic framework; celebrate the places that make Scottsdale great; strengthen the design of the arterial grid; reconnect with the Sonoran landscape. These values hold true today and motivate the efforts of Scottsdale Public Art.

Selection Process

An artist-selection panel will be convened to evaluate all submissions and select one artist and an alternate for the project. Selection criteria include: the applicant’s professional qualifications; proven ability to complete projects of a similar scope; artistic merit as evidenced by the submitted materials; and demonstrated ability to work with government agencies and stakeholders in the creation of a permanent public art project.  

The selection panel will select three artists to be finalists for the project. These finalists will be invited to make a site visit and create a proposal. Each finalist will present their proposal and be interviewed by the selection panel. Finalists will be paid an honorarium to cover the costs of time and materials for the site visit and proposal.

The chosen artist(s) will be recommended by the selection panel for approval by the Scottsdale Public Art Advisory Board. The Advisory Board approves art concepts and the project scope and budget, thereby allowing the artist creative license within the established project plan. Contract and project plan are to be negotiated with Scottsdale Public Art. The Advisory Board reserves the right to reject any and all applications.

Timeline

April 18, 2018                Deadline for response to RFQ (11:00PM Arizona Time)

Mid-April 2018               Anticipated Artist selection panel shortlist

Late-April 2018              Anticipated site visit for shortlisted artists

Late-May 2018               Anticipated Artist selection panel final interviews

Mid-June 2018               Contract Development

Summer/Fall 2018         Design Process     

Eligibility

All artists residing in the state of Arizona are eligible to apply.

Application Delivery

Application are being accepted via the CallforEntry.org web site.

All materials submitted become the property of Scottsdale Public Art.

Submission Requirements

• Digital Images: 5 digital images of previously completed artwork.
• Resume or CV: Current professional resume or curriculum vitae (CV) including artist address, email, and phone number. Teams must submit one resume/CV per team member.
• Statement(s) of Intent: Address how the applicant’s previous experience and current artistic direction will result in a successful public art project.

For Further Information

All questions regarding this Request for Qualifications are to be directed to Kevin Vaughan-Brubaker, Public Art Manager, Scottsdale Public Art, at kevinv@scottsdalearts.org. Please include artist name and phone number in all correspondence.

Call for Artists: Dancers and Choreographers should consider applying to the Kern Dance Alliance with the Bakersfield Museum of Art (California)

CALL TO DANCERS + CHOREOGRAPHERS
For California artists
 

Kern Dance Alliance (KDA) and the Bakersfield Museum of Art (BMoA) are seeking dance artists to produce an evening of dance for Art After Dark: MUSEUM DANCES on May 31, 2018.

Art After Dark at the Bakersfield Museum of Art is an after-hours art experience featuring fine art, entertainment, and drinks at Kern County’s only accredited art museum. Art After Dark takes place on the last Thursday of the month from February through October.

Commissioned Work

Dance artists have the option of creating a choreographed work and/or a figurative display.

Choreography:

Dance artists are invited to create 5.00 minutes maximum of choreography to be displayed in the gallery space during Art After Dark.

Figurative Display:

Dance artists are invited to create a figurative display by posing as a dance-related statue inspired by a painting or sculpture. Figurative artists will be placed on a pedestal in a small space and move very slowly as if they were sculptures.

Inspiration

BMoA will unveil an exhibit by Charles Arnoldi. The exhibition will feature large scale pieces of Arnoldi's work in the Dezember/Cunningham Gallery. Dance artists are encouraged to be inspired by Arnoldi's work as they create work for MUSEUM DANCES.

Charles Arnoldi is one of the most significant contemporary abstract painters, sculptors and printmakers of our generation. Emerging out of the booming 1970s Los Angeles art scene. Arnoldi’s paintings are experimentations in color, form and structure. BMoA is honored to host an exhibition showcasing a survey of Arnoldi’s work beginning with the stick constructions and chainsaw wood relief paintings that brought him international acclaim in the early 1970s through his most recent work which is inspired by a trip to Machu Picchu. Dance artists are encouraged to be inspired by Arnoldi’s career as they create work for MUSEUM DANCES.

Event Dates + Deadlines

Event Meeting w/ BMoA + KDA

May 1, 2018- 4:00 PM

Location: BMoA Office 1930 R St., Bakersfield, CA. 

Event Rehearsal Period

April 23-May 31, 2018

(number of rehearsals and length of rehearsals are to be determined by dance artists)

Tech + Dress Rehearsal at BMoA

May 29, 2018, 8:00 -10:00 AM and 4:00-6:00 PM

May 30, 2018, 8:00 -10:00 AM and 4:00-6:00 PM

May 31, 2018, 2:00-4:00 PM

Performance at BMOA

May 31 – 6:00 PM CALL, 7:00-9:00 PERFORMANCE

Requirements:

• Submit a completed Art After Dark: MUSEUM DANCES Application Form (below) which includes the following:
  • Submit dance resume- including 3 references with contact information
  • Submit an outline for proposed work: choreography and/or figurative display, song choice, props, costumes, inspiration for art)
• Dance artists must provide their own space for rehearsals
• Demonstrate willingness to assist KDA and BMoA with overall event theatrical and technical elements

Compensation:

$100 honorarium

Performance Location:

BMoA 1930 R St., Bakersfield, CA.

APPLY!

Submit your application by 10:00 PM on Friday, April 20 to info@kerndance.org. Candidates will be notified of selection by April 23 @ 5:00 PM.

For More Information:

Event Coordinator Contact

Alli Duncan- aduncan@bmoa.org / 661-323-7219

Kern Dance Alliance- info@kerndance.org

Deadline: 04-20-2018
Kern Dance Alliance
Bakersfield, CA

Contact: Andrea
email: andreah@kerndance.org
Phone: Hansen
Website: www.kerndance.org

Call for Artists: Printmakers needed for Center for Contemporary Printmaking (Norwalk, CT)

Print your large woodcut with BIG INK at the Center for Contemporary Printmaking
For National artists
 

Event Synopsis: BIG INK is pleased to partner with the Center for Contemporary Printmaking for two one-day large woodcut printing sessions. We’ll be utilizing BIG INK’s giant 48” x 96” mobile etching press to pull prints. If accepted, artists will have two months prior to the event to carve their image into a piece of plywood. BIG INK remains in contact with each participant providing guidance and technical support when needed.  The Center for Contemporary Printmaking (CCP) is a non-profit organization dedicated to the art of the print: intaglio, lithography, monotype, silkscreen, woodblock printing, paper works, book arts, and digital arts. CCP is a unique cultural resource, a place to discover, to experiment, to learn. The entire spectrum of printmaking arts is here to be explored through workshops, edition printing with master printers, exhibitions, community programs, and an Artist-in-Residence Program.

About BIG INK: Our mission is to inspire a greater appreciation for relief printmaking and extend its practice among contemporary artists.  We invite artists, via a call-for-entry application process, to submit a proposal to create a woodcut, at least 24” x 36” in dimension, through bigink.org.  Approximately sixteen proposals are accepted per event and those selected are given two months to carve an image. At the end of the two months, BIG INK meets with the artists at a predetermined space, such as an art center, festival, or community print shop, and helps them print his or her woodcut onto paper. These events culminate in exhibition opportunities and potential sales for the artists who participate.  BIG INK has helped hundreds of artists create new work at venues across the United States.

Event Location: Center for Contemporary Printmaking, 299 West Ave, Norwalk, CT 06850

Deadline for Consideration: Midnight, April 16th, 2018

Event Date(s): Jun 23rd & 24th, 2018

Criteria: BIG INK considers proposals based on the following:

• Size: Images must be at least 24” x 36” in dimension but not larger than 40” x 96” in dimension.
• Material: Artists are responsible for securing their own ½” thick plywood, 1/2" MDF or 3/8" Shina for carving and their own carving tools. The plywood or MDF must be ½” thick, the Shina must be 3/8".
• Originality: The uniqueness of the design will be a major consideration.  A drawing, digital graphic, altered photography, collage, sketch, painting or print are acceptable examples to include with your proposal. Images must be solely created by the applicant.
• Cohesiveness: The anticipated dimensions of your woodblock should match the format of the image you submit.

Fees: It is free to submit a proposal; accepted artists pay $295 dollars to participate.  This covers all consumable materials for the event including: printing ink, paper, cleaning supplies, and equipment usage.  All that is required of the artist is to bring a fully carved block. 

Benefits:  BIG INK events are best described as a concentrated burst of productive energy bringing together leading artists from throughout the region to network with each other and potential patrons.  We provide the technical expertise and specialized equipment necessary to bring the artist's studio directly to the public in an engaging way. Our mobile printing press, dubbed “The Big Tuna,” has the ability to produce woodblock prints up to 48” x 96”. No other etching press of its size is used for this form of collaborative printing.  In addition, selected participants also receive:

• Professional Prints: BIG INK assists in the creation of three impressions from each participant's carved block.
• Video Tutorials: Never made a woodcut or woodblock print? No problem! We've created step-by-step video tutorials to walk you through the whole process.
• High-Res Photography: We provide a professionally photographed image of each participants work at no additional charge.
• Curated Exhibits: National and international art venues curate BIG INK exhibits from our growing portfolio. Your work could be featured next!
• Outreach: We create a page for each participant on our website.  Our web and social outlets receive thousands of views each month and will put your work in front of a larger audience.

Commonly Asked Questions:

Q: Can two artists collaborate on a proposal?

A: Yes, list both names on the application.

Q: Can I submit an existing image with my proposal?

Q: Can I submit an existing image with my proposal?

A: Yes 

Q: If accepted can I change my proposal image after the fact?

A: Yes, as long as it falls within the same aesthetic.

Q: Does my proposal image have to be a certain size?

A: Your proposal image can a small.  It doesn't have to be the same size as your final carved woodblock. 

Q: What time are we expected to arrive at the event?

A: 10 am sharp

Q: How long are we expected to remain after our work is printed?

A: Until 5 pm

Q: Are we expected to attend both printing days?

A: No, but you’re welcome to attend.

Q: How many prints does each artist produce?

A: Three

Q: Can I bring my own paper and print more?

A: Unfortunately, there isn’t enough time to print more.

Q: What type of paper do we use?

A: Masa 

Q: What type of ink do we use?

A: Oil based relief ink, bring an apron and wear work cloths.

Q: Do I have to bring any other materials besides my carved block?

A: No 

Q: Can we print in color?

A: No

Q: How do we transport the finished prints?

A: BIG INK provides newsprint to wrap the work and tubes are provided for those that are mailing work.

Q: Do you have recommendations on where to stay?

A: We use Airbnb most frequently and quality hotels are usually located a short drive away or within walking distance. 

Q: What is the best way to transport the finished block if I'm flying?

A: You may be able to ship your block directly to the venue.  Contact us directly to confirm. When shipping your block please include a return label in the package. This makes shipping your block back home simple.

Deadline: 04-17-2018
Center for Contemporary Printmaking
Norwalk, CT

Contact: Lyell Castonguay
email: contact@bigink.org
Phone: 
Website: www.bigink.org/apply

Call for Art: Artist trading card exchange seeks submissions (Anywhere!)

Artist Trading Card Exchange seeks submissions
For International artists
 

Seeking artists to participate in an artist trading card exchange with other artists. Artist trading cards are small works of art that can be traded with other artists as a way to get creative, connect with other artists, and collect great art! Make 9 handmade cards and get 9 back by mail after deadline. Topic, subject matter, and materials for cards are open, as long as they implement something handmade and fit on the card and into a plastic sleeve. 

No entry fee to participate.

Website has complete entry details and instructions. The deadline is April 15, 2018.

Deadline: 04-15-2018
back room projects
Chicago IL

Contact: Jennifer Hines
email: backroomprojects@gmail.com
Phone: 
Website: http://jenniferhinesart.wordpress.com/artist-trading-cards/

Grant: Arts Works from National Endowment for the Arts (USA)

Arts Works - Second Deadline
National Endowment for the Arts

Art Works is the National Endowment for the Arts' principal grants program. Through project-based funding, we support public engagement with, and access to, various forms of excellent art across the nation, the creation of art that meets the highest standards of excellence, learning in the arts at all stages of life, and the integration of the arts into the fabric of community life. Projects may be large or small, existing or new, and may take place in any part of the nation's 50 states, the District of Columbia, and U.S. territories.

We encourage applications for artistically excellent projects that:

• Celebrate America's creativity and cultural heritage.
• Invite a dialogue that fosters a mutual respect for the diverse beliefs and values of all persons and groups.
• Enrich our humanity by broadening our understanding of ourselves as individuals and as a society.

*1965 Enabling Legislation for the National Foundation on the Arts and the Humanities Act of 1965

Grants generally will range from $10,000 to $100,000. No grants will be made below $10,000. Grants of $100,000 or more will be made only in rare instances, and only for projects that we determine demonstrate exceptional national or regional significance and impact. In the past few years, well over half of the agency's grants have been for amounts less than $25,000.

Contact: 
Phone: 
Email: 
Website: 
Grant link: https://www.arts.gov/grants-organizations/art-works/grant-program-description
Deadline: 07-12-2018

Grant: 2018 Hewlett 50 Arts Commissions has $8 million for performing arts in the Bay Area (California)

2018 Hewlett 50 Arts Commissions
William and Flora Hewlett Foundation

Launched in 2017 in celebration of the Hewlett Foundation's fiftieth anniversary, the Hewlett 50 Arts Commissions is a five- year, $8 million commissioning initiative that is the largest of its kind in the United States. The initiative will support the creation of 50 exceptional works of performing arts and their premiere in the Bay Area through grants of $150,000 to Bay Area nonprofit organizations. Nonprofit organizations will receive funding to achieve their creative vision in partnership with the commissioned artists, who may be based anywhere in the world.

The ultimate beneficiaries of the new program will be local audiences, who will be among the first to see important new works in the performing arts premiered in their communities.

The Hewlett 50 Arts Commissions align with our longstanding commitment to providing Bay Area audiences with access to world class performing arts, and it is our hope that the works created will go on to inspire, engage and challenge audiences across the country and around the world in years to come.

Disciplines
Ten commissions will be awarded annually in each of five performing arts disciplines from 2017 - 2021. The recipients of the 2017 awards, in music composition, have been announced.

In 2018, the awards will focus on theater, spoken word, and musical theater.

Applying for a grant
There is a two-step process to apply. First, organizations submit a short LOI identifying the artist they propose commissioning and describing the proposed project. The most competitive applicants will be asked to complete an in-depth proposal for their project, and Hewlett Foundation staff will make the final decision about winners of the awards.

Those interested in submitting a letter of inquiry are invited to view a recording of an introductory webinar, as well as a growing list of frequently asked questions about the commissioning program.

On January 30, the foundation will host a webinar describing the initiative in more detail and inviting questions from participants. Those interested in submitting a letter of inquiry should register to participate.

Letters of Inquiry are due by April 20. Recipients of the 2018 awards will be announced later this year.

Contact: 
Phone: 
Email: 50CHelp@hewlett.org
Website: https://www.hewlett.org/about50commissions/
Grant link: https://www.hewlett.org/apply-hewlett-50-arts-commission/
Deadline: 04-20-2018

Call for Entry: Art in the Library (Napa County, CA)

Art in the Library Art Call
For California artists
 

Napa County Library (NCL) invites artists to apply to have their artwork displayed at the downtown Napa Main Library.

Works that are generally appealing, dynamic and colorful are good candidates for the competition. The Art in the Library Committee meets in the spring to review and select submitted artwork. The Committee is comprised of area artists and the Art in the Library coordinator.

All two-dimensional work including photography, paintings, drawings, digital, mixed media, fabric art, chalk, ink, pastels, wax, graphite and printmaking can be entered for consideration. A cd of digital images is required for the competition that is judged by our Committee. There is no fee.

Deadline: 03-31-2018
Napa County Library
Napa, CA

Contact: Stephnia Pramuk
email: artinthelibrary@countyofnapa.org
Phone: 707.253.4223
Website: napalibrary.org

Job: Ceramic Assistant (Claremont, CA)

Looking for an artist assistant with ceramic expertise in slip casting and
glazing.
Can pay $15/hour
Mondays and Wednesdays in Claremont, CA from 10am-7pm

Email:
elanamann@gmail.com with resume and 2 references

-- 
www.elanamann.com

Job: AMOCA is seeking Director of Advancement & Marketing (Pomona, CA)

Director of Advancement & Marketing
American Museum of Ceramic Art
Pomona, CA
 

Director of Advancement and Marketing
American Museum of Ceramic Art
Pomona, California

Position Description

Reports to the Executive Director

32 - 40 hour work week to be negotiated 

About the American Museum of Ceramic Art (AMOCA)

AMOCA’s mission is to champion the art, history, creation, and technology of ceramics through exhibitions, collections, outreach, and studio programming.

Founded in 2001 and opened in September 2004, AMOCA is the largest museum in the United States devoted exclusively to ceramic art and historic innovations in ceramic technology.  A nonprofit organization, AMOCA’s volunteer board of directors is responsible for policy, direction, and appointing the executive director. Its permanent collection includes more than 7,000 works. The Museum has 50,000 square feet of space for exhibitions, storage, a museum store, offices, educational areas, and a ceramics studio. It is located in an area rich in ceramic history and home to internationally recognized clay artists from the Arts and Crafts Movement, the 1960s Clay Revolution, and the current ceramic community. 

AMOCA is located in an urban downtown district where art is an important element of a continuing and successful community revitalization program. The City of Pomona has a rich ethnic mix and a large academic constituency with The Claremont Colleges, the University of La Verne, and California State Polytechnic University, Pomona, all within a five-mile radius. The Museum is located 35 miles east of downtown Los Angeles. www.amoca.org 

Essential Tasks

The Director of Advancement and Marketing Director serves as an active member of AMOCA’s senior management team. The Director will work closely with the Executive Director to develop and implement a comprehensive fundraising and marketing/publicity program to support the museum’s program, activities, and services.

This position creates, implements and optimizes a comprehensive, innovative, cost effective fundraising and marketing plan designed to build AMOCA into a must-see visit destination for arts enthusiasts, ceramics collectors and prospective donors, while creating credibility with foundations, corporations and art critics and art publications. 

Development Responsibilities (60%)

• Develop and implement a calendar of strategic fund raising activities (major donors, endowment and annual giving) and complementary marketing initiatives in conjunction with the executive director, founder, and Advancement Committee of the board.   
• Work with the Advancement Committee to track fundraising data, increase the number of events, enhance membership in support groups (loyalty programs), and prepare quarterly reports for the committee on progress.
• Assist the E.D. in identifying, cultivating, soliciting, and stewarding major gift donors and prospective donors.
• Research, write, and edit a range of materials, including foundation/government grants and stewardship reports.
• Maintain accurate and complete donor records, including contact reports.
• Manage membership and annual giving campaigns; and assist in the preparation of annual reports and honor rolls.
• Manage the cultivation and stewardship programs of the Museum.

Marketing and Communications (40%)

• Build AMOCA into a high quality and exciting destination for high-value donors and collectors in Southern California and beyond, while building museum membership among ceramics enthusiasts.  
• Ensure all external messaging is consistent and appropriate to the goal of making AMOCA a seminal destination.  
• Develop and/or oversee the creation of appropriate collateral materials on a timely basis.
• Use appropriate market research, advertising, social media and other relevant approaches to drive a growing target market to the museum and its off-campus initiatives.   

Desired Characteristics

• Personal commitment to AMOCA’s mission, vision, and values.
• Proven ability to think strategically and creatively.
• Attention to detail.
• Strong writing, editing, and presentation skills.
• Intellectual curiosity, maturity, and sound judgment.
• Adept at working across multiple areas: digital marketing, print, content creation and donor relations/ strategic donor initiatives.   
• Ability to communicate in an articulate manner with diverse audiences.
• Strong interpersonal and listening skills.
• A “doer” with a willingness to work hands-on with limited resources to execute a variety of advancement programs and activities.
• Finely honed organizational skills.
• Ability to remain focused under pressure, meet deadlines, and nimbly manage tasks.
• Strong computer skills, including Microsoft Office Suite and donor management software.
• She/he should be able to balance generating funds in the short term while building longer-term strategic strength.  
• Proven ability to work independently and with a team, manage multiple concurrent projects, and meet deadlines.
• Sense of humor.

Qualifications 

• BA or BS degree required; an arts understanding/knowledge desirable.
• A minimum of five years of administrative and advancement experience at a nonprofit or academic institution. Arts experience preferred
• A minimum of two years experience in marketing, ideally at a consumer products or financial services company.  A love of ceramics is…
• Advanced technology skills

Working Conditions

The Advancement and Communications Manager will work in general office and museum conditions. Some evening and weekend hours will be required in conjunction with events and meetings. The position involves a significant amount of contact with museum staff, volunteers, donors and the public that may be of a sensitive or confidential nature. Discretion and sound judgment are essential. The Advancement and Communications Manager must be able to relate well to individuals from a variety of backgrounds and positively represent the museum in these relationships.

Compensation

Salary is commensurate with experience. AMOCA is an equal opportunity employer.

Please send a letter of interest and resume to: bgerstein@amoca.org.  The position will be open until filled. AMOCA is an equal opportunity employer.

Deadline: 04-30-2018

Jobs: Seasonal Production Assistant for the Los Angeles Philharmonic Association (Los Angeles)

Seasonal Production Assistant
The Los Angeles Philharmonic Association
Los Angeles, CA
 

The Los Angeles Philharmonic Association is looking for a

Seasonal Production Assistant

Founded in 1919, the Los Angeles Philharmonic Association's mission is to perform, present, and promote music in its varied forms at the highest level of excellence to a diverse and large audience, both at the Walt Disney Concert Hall and the Hollywood Bowl.  The Los Angeles Philharmonic Association is dedicated to continuing its pre-eminent status in the music world of the 21st century.

Position Summary: 

The Seasonal Production Assistant aides in all facets of production for concerts at the Hollywood Bowl from approximately May 14th through September 30th and provides a broad range of support to the Presentations department.

Coverage of all Presentations concerts to be split between the production assistants, exact assignments to be determined. This is a non-regular full-time position, from approximately May 14th through September 30th, with possibility to assist during first two weeks of October. Up to 3 positions available. 

Position Elements:

• Provide production assistance as required for concerts and presentations, including tickets and parking passes; extensive hospitality and catering/dressing room needs/setup for artists per the contract riders; complex artist ground transportation schedule, creative problem solving, customer service, and assistance in other artist liaison issues; hotel arrangements; and some “runner” responsibilities.

• Provide administrative support, general and research assistance: screen calls as needed; maintain office files; draft correspondence; arrange courier services; assist with contract administration; collect info from artist reps and agents; draft production schedules; etc. 

• Assist office with ticketing and parking requests from artists, agents, managers, vendors and outside parties needing special handling.

• Attend Hollywood Bowl Orchestra services and concerts as needed, and distribute parking passes and tickets to Orchestra members at rehearsals, as well as other rehearsal/concert duties as assigned.

• Assist with and coordinate check-out of music to Hollywood Bowl Orchestra musicians.  For each concert series, take music from office to first Orchestra rehearsal as needed.

• Provide scheduling assistance – scheduling meetings, organizing conference rooms.

• Obtain and disseminate information to general staff as required, including (but not limited to):  biographical information for artists; production schedules; rehearsal schedules; and general information as requested by Association staff.

• Keep an up-to-date ledger of department expenses and invoices in coordination with Director, Presentations.

• Other duties and projects as assigned.

Position Requirements:

• Must be available to work full-time from approximately May 14th through September 30th.  Hours: Monday – Friday, 10:00am – 6:00pm, plus evenings and weekends as needed for rehearsals/concerts/shows.

• Must be extremely detail-oriented and highly organized, with excellent follow-through

• Previous Concert production background and experience required

• Tour Manager experience desired

• B.A. (or equivalent background and experience) desired

• Minimum one (1) year administrative experience

• Exceptional, professional and clear writing and verbal communication skills

• Strong word processing, spreadsheet and general computer skills (Microsoft Office, Word, Excel, Outlook, etc.)

• Ability to meet deadlines, organize and prioritize duties efficiently, and focus on many tasks simultaneously and in detail

• Basic understanding of accounting and financial issues

• Prefer a general knowledge and interest in a variety of musical artists, genres and repertoire

• Knowledge of and interest in concert production

• Ability and desire to work long hours as required; flexible schedule

• Must own a reliable car and have clean driving record

• Must be able to purchase and handle alcohol

• Ability to work with artists, agents and managers in sensitive situations

• Resourceful and forward-thinking problem solver. Customer service oriented in all industry and interoffice interaction.

• Resilient, indefatigable, positive attitude

How to apply:

Complete the online application by clicking here. 

• Complete the application with all pertinent information.
• At the end of the application, a confirmation page will appear when your submission has been successful

The Los Angeles Philharmonic Association will consider for employment qualified Applicants with Criminal Histories in a manner consistent with the requirements of the FCIHO.

Contact:
Email:
Phone:
Addressee:
Address: 
Website: 

Deadline: 04-14-2018

Scholarship: PhD Studentship, University of Brighton/British Museum (Brighton, UK)

PhD Studentship, University of Brighton/British Museum

University of Brighton/British Museum
Application deadline: Apr 5, 2018

The Global and the National: South Asian Collectors at the British Museum

AHRC Collaborative Doctoral Partnership Studentship in collaboration with the British Museum and University of Brighton

The School of Humanities at the University of Brighton and the British Museum are pleased to announce a funded studentship for doctoral research, awarded under the AHRC’s Collaborative Doctoral Partnership Scheme.

‘The Global and the National: South Asian Collectors at the British Museum' will examine the role of South Asian and British South Asian collectors and donors in the making of British museums from the eighteenth century to the present day. The successful applicant will gain a unique opportunity to benefit from training and a placement at the British Museum, conduct research into its collections and archives, and carry out funded fieldwork in South Asia.

The studentship will be supervised by Dr Claire Wintle, University of Brighton, and Drs Sushma Jansari and JD Hill, British Museum. This full-time studentship is funded for 3 years at standard AHRC rates and will begin 1 October 2018. In addition, a Student Development Fund (equivalent to a further 0.5 years of stipend payments) is also available to support the cost of training, work placements, and other development opportunities.

Academic entry requirements:
Applicants should have a good undergraduate degree in history, art history, anthropology, museum studies or another relevant discipline, satisfy AHRC eligibility requirements including masters-level advanced research training or equivalent, and be able to demonstrate an active interest in museums, South Asian and imperial history, and archival research. Students must also meet the eligibility requirements of the UK Research Council for graduate students.

English language entry requirements:
Applicants whose first language is not English must have successfully completed a Secure English Language Test (SELT) in the last two years. Applicants who have obtained or are studying for a UK degree may apply without a SELT. However, the university may request a SELT is taken as part of any award made.
The minimum English language proficiency requirement for candidates who have not undertaken a higher degree at a UK HE institution is IELTS 7.0 overall (with at least 7.0 in writing and 6.5 in the other elements)

Funding:
The full studentship award for students with UK residency includes fees and a stipend of £14,777 per annum plus £550 p.a. additional stipend payment for Collaborative Doctoral students for 3 years.
In addition, the Student Development Fund (equivalent to 0.5 years of stipend payments) is also available to support the cost of training, work placements, and other development opportunities. Students with EU residency are eligible for a fees-only studentship award. International applicants are normally not eligible to apply for this studentship.
In addition, the student will receive further funds from the University of Brighton’s School of Humanities and the British Museum to undertake research in South Asia, and some additional support towards further research expenses. The successful applicant will be able to participate in additional training and other opportunities provided to CDP students by the National Museums, British Library, National Archives and English Heritage, and receive a British Museum staff pass, a workspace with computer, research library access and staff privileges. 

EU students:
Students with EU residency are eligible for a fees-only studentship award

International students:
Candidates from outside the EU are not eligible for this studentship.

Applying:
We will only consider complete applications – the application is complete once you have uploaded all of the following:
- copies of your bachelors and master certificates, including transcripts
- your two-page statement
- copy of your IELTS (or equivalent) certificate (if applicable)
- copy of your passport
- two references uploaded or requested – one must be an academic reference from your most recent period of study. Both must have been written within the last year. It is the applicant’s responsibility to ensure referees submit references.

For more information on how to apply for this studentship, the deadline for which is 5pm Thursday 5 April 2018, see the below website.
https://www.brighton.ac.uk/research-and-enterprise/postgraduate-research-degrees/funding-opportunities-and-studentships/2018-south-asian-collectors-at-the-british-museum.aspx

Reference:
STIP: PhD Studentship, University of Brighton/British Museum. In: ArtHist.net, Mar 14, 2018 (accessed Mar 16, 2018), <https://arthist.net/archive/17588>.

Job: Collection Research Fellow in American Art, Museum Ludwig (Cologne, Germany)

Collection Research Fellow in American Art, Museum Ludwig, Cologne

Museum Ludwig, Cologne
Application deadline: Apr 11, 2018

[English version below]

Terra Foundation Collection Research Fellow in American Art im Museum Ludwig der Stadt Köln

Das Museum Ludwig der Stadt Köln ist eines der bedeutendsten Museen moderner und zeitgenössischer Kunst Europas. Zu den Sammlungsschwerpunkten gehören Klassische Moderne, Russische Avantgarde, Werke Pablo Picassos, Pop Art und wichtige Bestände US-amerikanischer Kunst im fotografischen und zeitgenössischen Bereich.

Mit Mitteln der Terra Foundation for American Art bietet das Museum Ludwig in Köln frühestens ab dem 01.05.2018 ein zweijähriges wissenschaftliches Fellowship für die Erforschung US-amerikanischer Kunst vor 1980 in der Sammlung des Museum Ludwig an. Es handelt sich hierbei um ein Forschungsstipendium der Terra Foundation for American Art mit Sitz in Chicago und Paris, die die Erforschung von und das Verständnis für US-amerikanische Kunst weltweit unterstützt.

Die Stelleninhaberin/der Stelleninhaber erforscht eigenständig den Sammlungsbestand der US-amerikanischen Kunst vor 1980. Die Archive innerhalb und außerhalb des Museums dienen dabei als Fundament. Der Fokus der wissenschaftlichen Arbeit soll auf Fragestellungen der Postcolonial/Gender/Queer Studies liegen. Die erarbeiteten Forschungsinhalte sollen für ein breites Publikum entwickelt werden. Die Forschungsergebnisse werden in einem Blog der Öffentlichkeit vorgestellt werden und sollen den Dialog über US-amerikanische Nachkriegskunst in Europa fortführen. Zudem wird ein Symposium veranstaltet, das ein Forum für einen internationalen wissenschaftlichen Austausch bietet. In Zusammenarbeit mit dem Mu-seumsdirektor und den Kuratorinnen und Kuratoren soll auf der Grundlage der Archivmaterialien und Forschungsergebnissen die permanente Sammlungspräsentation verändert werden.

Als Teil des wissenschaftlichen Teams wird die Stelleninhaberin/der Stelleninhaber im Austausch mit allen Abteilungen des Museum Ludwig stehen. 


Wir erwarten von Ihnen:
Vorausgesetzt wird ein abgeschlossenes wissenschaftliches Hochschulstudium (mindestens Master oder Magister) der Fachrichtung Kunstgeschichte, Kunstwissenschaft oder Kulturwissenschaft mit einem Schwerpunkt in US-amerikanischer Kunst des 20. Jahrhunderts.

Hierüber sollten Sie verfügen (Soll-Kriterien):
- umfassende Kenntnisse der US-amerikanischen Kunst im 20. Jahrhundert mit Forschungsschwerpunkt Postcolonial/Gender/Queer Studies
- anhand wissenschaftlicher Qualifikationen und Publikationen nachweisbare höchste fachliche Kompetenz
- sehr gute Kenntnisse der deutschen und englischen Sprache in Wort und Schrift
- sehr gutes organisatorisches Geschick
- selbständige Arbeitsweise und hohe Sorgfalt
- Zuverlässigkeit und Teamfähigkeit
- hohe Belastbarkeit
- sehr gute Kenntnisse in Office-Anwendungen und selbstverständlicher Umgang mit Social Media

Vorrang haben die Kandidatinnen/die Kandidaten, die an einer Dissertation arbeiten oder diese schon beendet haben.

Wünschenswert ist (Kann-Kriterien):
- praktische Erfahrungen in der Museumsarbeit oder im Kulturbereich

Wir bieten Ihnen:
Die Stelle ist bewertet nach 75% der Entgeltgruppe 13 TVöD (Tarifvertrag für den öf-fentlichen Dienst).
Die wöchentliche Arbeitszeit beträgt 39 Stunden.
Weitere Auskunft erteilen Rita Kersting, Telefonnummer 0221/221-24967, und Angela Coenen, Telefonnummer 0221/221-24919.

Ihre Bewerbung:
Ihre vollständigen und aussagefähigen Bewerbungsunterlagen mit Anschreiben, Lebenslauf in deutscher Sprache und Zeugnissen richten Sie bitte bis zum 11.04.2018 (Bewerbungseingang) unter Angabe der Kennziffer 202/18-19 an:

Stadt Köln
Museum Ludwig
Personalabteilung
Heinrich-Böll-Platz
50667 Köln

oder per E-Mail an:
monique.rose@stadt-koeln.de

Die Stadt Köln fördert die Gleichstellung aller Mitarbeiterinnen und Mitarbeiter und begrüßt deshalb Bewerbungen von Frauen und Männern, unabhängig von deren ethnischer, kultureller oder sozialer Herkunft, Alter, Religion, Weltanschauung, Behinderung oder sexueller Identität.
Die Stadt Köln hat sich selbst verpflichtet, den Anteil von Frauen in Leitungsfunktionen und unterrepräsentierten Berufsbereichen zu erhöhen. Frauen sind deshalb ausdrücklich angesprochen und gebeten, sich zu bewerben.

Zudem sollen sich die individuellen Arbeitszeitwünsche von Männern und Frauen mit Familienpflichten in allen Ebenen wiederfinden.

Die Stadt Köln ist Trägerin des Prädikats TOTAL E-QUALITY - Engagement für Chancen-gleichheit von Frauen und Männern sowie des Zusatzprädikates DIVERSITY.

Schwerbehinderte und gleichgestellte Bewerberinnen und Bewerber werden bei gleicher Eignung besonders berücksichtigt.

—-

Terra Foundation Collection Research Fellow in American Art in Museum Ludwig, City of Cologne, Germany

The Museum Ludwig—a museum of the City of Cologne, Germany—is one of the most important museums of modern and contemporary art in Europe. Collection strengths include pop art, classical Modernism, Russian Avant-garde, the art of Pablo Picasso, and important works of contemporary art and photography by U.S. artists.

Funded by the Terra Foundation for American Art, the Museum Ludwig in Cologne offers a two-year Fellowship for the study/research of Museum Ludwig’s collection of American Art made before 1980. This is a research grant from the Terra Foundation for American Art, based in Chicago and Paris, which supports the study and understanding of American art world wide.

The Fellow will research the Museum’s collection of pre-1980 American art, exploring archives in and outside the museum. The orientation of the research should ideally be focused on issues from postcolonial, gender, and/or queer studies, and the outcomes are to be developed so that they are accessible to the general public. Results of the research will be presented in a blog, which is intended to enhance an ongoing dialogue about post-war American art in Europe. In addition, the Fellow will organize a symposium to provide a forum for international scholarly exchange. Finally, in consultation and collaboration with the museum’s curators, the Fellow will participate in the elaboration of an altered presentation of the permanent collection on the basis of archival material and research results.

The Fellow will be considered a professional member of the museum’s curatorial staff with ready access to curators, conservators, and other museum departments.

The position will become available earliest on May 1st, 2018.


Criteria:
Applicants should hold an academic degree (at the Master’s level) in the field of art history or cultural studies, with a specialization in American art of the 20th century.

Requirements / Applicants must have:
- Comprehensive knowledge of American art from the twentieth century with a focus on postcolonial, gender, and/or queer studies.
- Demonstrable academic skills at the highest level, based on scientific qualifications and publications
- High command of the German and English language (spoken and written)
- Excellent organizational skills
- Independent and meticulous way of working
- Reliability and team spirit
- The ability to work under pressure
- Proficiency with various MS Office applications and affinity with social media

Preference will be given to scholars of American art who are pursuing or have already completed a PhD.

Desirable:
- Working experience gained in a museum or the cultural field

We offer you:
The position is assessed at 75% of salary group 13 of the Wage Agreement for Public Service (TVöD). 
There will also be funding for reasonable research travel.
The weekly worktime is 39 hours.

For more information, please contact Rita Kersting: +49(0)221/221-24967 or Angela Coenen: +49(0)221/221-24919.
Your application:

Please send your complete and informative application in German including cover letter, CV and certificates with indication of the code number 202/18-09 before 11 April 2018 (application deadline) to:

Stadt Köln - Museum Ludwig
Personalabteilung
Heinrich-Böll-Platz
50667 Köln

Or send an e-mail to:
monique.rose@stadt-koeln.de

The City of Cologne is an equal opportunity employer and all qualified applicants will receive consideration for employment, regardless of ethnic, cultural or social background, age, religion, ideology, disability status or sexual orientation.

The City of Cologne has committed itself to increasing the share of women in management functions and in underrepresented professional areas. Female candidates are therefore strongly encouraged to apply.

In addition, individual working hour preferences from candidates with family responsibilities will be negotiable.

The City of Cologne holds the title TOTAL E-QUALITY – Commitment to equal opportunities for all genders, as well as the additional title DIVERSITY. Severely handicapped and equivalent applicants are given special consideration in case of equal qualification.

Reference:
JOB: Collection Research Fellow in American Art, Museum Ludwig, Cologne. In: ArtHist.net, Mar 15, 2018 (accessed Mar 16, 2018), <https://arthist.net/archive/17600>.

Call to Artists: Sculpture garden needed! West coast artists and teams only! (Auburn, WA)

APPLY TO THIS CALL
Entry Deadline: 4/19/18
REQUIREMENTS:

Media
Images - Minimum: 1, Maximum: 10 
Total Media - Minimum: 1, Maximum: 10 


View Site Details

Call to Artists
City of Auburn 2018-19 Downtown Sculpture Gallery

The City of Auburn invites sculptors to submit applications for Auburn’s Downtown Sculpture Gallery. The works selected for this public art exhibition will be on loan to the City for a period of twelve months (12) and can be available for sale during that time.

Each selected artist will receive a $1,000 stipend. At the conclusion of the exhibition a sculpture from the exhibition may be purchased for inclusion in the City of Auburn’s permanent collection. The purchase budget is $10,000.

Application deadline: April 19, 2018 at 10:59 p.m. Pacific Time
 

PROJECT DETAILS

City of Auburn’s Downtown Sculpture Gallery showcases ten sculptures throughout its historic downtown. Public art is an integral part of the exciting renewal efforts on Main Street and underscores the critical role that artists and public art play in the revitalization of Auburn’s urban core.   

Eligibility
Open to work by professional artists or artist teams living or working in the Pacific Northwest (Washington, Oregon, Idaho, California and Montana). Applicants may submit up to ten sculptures for consideration.

Duration of Installation
The selected sculpture will be on view for 12 months from September 2018 – September 2019.   

Artwork Specifications
Artwork may be in any media and must be durable, suitable for outdoors and able to withstand the elements as well as interaction with pedestrians and the general public.  Works may be functional or non-functional. Existing sculptures as well as artwork proposals are accepted. Proposals can be submitted as a sketch/illustration along with examples of other work that demonstrates artistry, proficiency and finish quality.

Artwork Location
The artwork will be located throughout Auburn’s downtown and locations assigned by City staff.  If there are preferences, they should be stated in the application materials. Artwork can be either welded onto or bolted onto a steel plate that is attached to a concrete pedestal. The concrete pedestals cannot be drilled into for the installation of the artwork (with the exception of the flush concrete pad), steel plates fitting the existing bolt pattern can be utilized, or artists can provide their own steel plate to fit upon the surface of the pedestal.

Stipend
The artist will be awarded a $1,000 artwork loan contract. The artist is responsible for transportation and installation of the artwork (installation with some city assistance). The artwork is insured by the City for the time the sculpture is on display, but not insured for any damage incurred during installation and/or deinstallation. The City of Auburn will provide signage to identify the artwork and will be featured on the City of Auburn’s website and included in a promotional brochure and poster. A walking tour will be hosted and a video created featuring the artists. Past examples can be viewed here.

Purchases
At the conclusion of the exhibition, the selection committee may select a work or works to be purchased for inclusion in the City of Auburn’s permanent collection. This will be determined in Spring 2019. A budget of $10,000 has been set aside for this purpose. There will be a “People’s Choice” vote held online and via printed ballots throughout the duration of the exhibition. The winning sculptor will receive a $500 “People’s Choice Prize”. No commission will be taken from artwork sold to private sales, but the City reserves the first right of refusal.

Design Parameters

• Five of the ten pedestals are placed directly on the sidewalk and must conform to the following guidelines for pedestrian safety:
• Artwork must not weigh more than 5000 lbs.
• From base of sculpture to 7’ in height the artwork must be no wider than 3’ 8”.  This is to ensure adequate pedestrian passage.
• 7’ to 12’ in height the sculpture can have a 5’ max width
• Two of the ten pedestals are placed within a raised/narrow planter box that is approximately three feet in height and three feet wide. This location is best suited for smaller scale work that will be eye level. 
• One of the ten pedestals is adjacent to the sidewalk and can be approx. 12” wider (5’ maximum width) than the dimensions listed above.
• One of the ten pedestals is within a raised planter box that is 20’ length x 5’ width and 18” pedestal is placed within the box. This artwork must fit within the planter area and be installed using the square pedestal base.
• One of the ten is a flush to the ground concrete pad that is 4’ x 4’ and is adjacent to the sidewalk. The sculpture needs to fit within the 4’ x 4’ area and not extend past the base.

Artist Responsibility

• Artist is responsible for transporting artwork to and from the installation site.
• Artist is responsible for logistics of installation, including movement from the vehicle to the pedestal. Any special equipment required is the artist’s responsibility to provide.
• Artist will provide detailed and specific installation instructions and work alongside a City staff to secure the artwork into place.
• Artist will provide any special installation materials, including a pedestal if the artwork needs to be elevated above the 18” pedestal base for smaller artwork. 
• Artist must be able to demonstrate the selected artwork will be sound, safe, suitable for exhibition in the public realm, and meet all Artwork Specifications outlined.
• Artist will be responsible for repairs needed that are due to build quality of the artwork duration of the exhibition.
• Artist is responsible for complying with terms set forth in this RFP and will be required to sign a loan agreement with the City of Auburn.

Artist selection process and criteria
A selection panel including representatives from the Arts Commission, City of Auburn, and downtown business owners will review the submitted proposals.  The panel will use the following criteria in the selection process:

• Submission of all required application materials by deadline
• Artistic excellence including technical competency
• Suitability for the site including aesthetic content and public safety
• Durability, able to withstand weather and interaction in a highly public area, and maintenance free for the duration of the exhibition. 
• Demonstrate structural soundness, safety and stability for an unsupervised general audience
• Ability to attach to existing pedestal (2’ square and 18” in height) and fit within the size parameters

Application Guidelines & Requirements
All applications must include the following:

• Artist’s statement (PDF)
• Current resume or CV (PDF)
• Digital images of the sculptures being submitted for consideration:
  • Up to ten sculptures can be submitted for consideration
  • Digital images per sculpture, maximum 3 minimum 1.
  • .jpg files only in format required by CaFE
  • .jpg files should be saved “Lastname_artworktitle1.jpg”, “lastname_artworktitle2.jpg” etc.
• Artwork details (as outlined in CaFE upload process including: title, media, dimensions, date, etc.)
• (Optional) Drawing/Photo/Description of the base of each artwork and how it will attach to the pedestals.

Timeline
February, 2018  -  Announcement of Call to Artists
April 19, 2018  -  Application Deadline
May 2018  -  Review proposals and notify artists
September 2018  -  Installation of Sculptures

Applications must be received by April 19, 2018 at 10:59 p.m. Pacific Time

Inquiries can be directed to Allison Hyde,
Arts Coordinator: ahyde@auburnwa.gov, 253-804-5043

Call for Entry: GoFarm Shipping Container Mural Project (Golden, CO)

GoFarm Shipping Container Mural
1301 Arapahoe St, Suite 105
Golden, CO 80401

APPLY TO THIS CALL
Entry Deadline: 3/28/18
Number of Applications Allowed: 5


REQUIREMENTS:

Media
Images - Minimum: 2, Maximum: 20 
Total Media - Minimum: 2, Maximum: 20 
 

Overview: GoFarm is seeking an artist to design and paint a mural for 2 shipping containers. The painting for 1 container needs to be completed by May 1, 2018, though the second container will be painted later in the Summer (around July/August). The shipping containers will be located in two different locations in Arvada, Colorado and the design must represent the GoFarm mission as well as the community/neighborhood in which the container is located. Research on these communities may be required. Local (colorado) artists are preferred, but it is not required! Suggested Resource: http://arvada.org/residents/services-and-sustainability/food-assessment

About GoFarm: The GoFarm mission is to increase the supply of and access to affordable, fresh, local food in the state of Colorado. GoFarm operates a 20-week, local food share program that provides assistance to beginning local farmers and connects them to a local market of consumers. The Local Food Share program also provides organizational support for GoFarm's grant-funded outreach program, GoFarm to Families. We believe that all people should have access to healthy, affordable, sustainably grown and raised food, so we accept SNAP payments from shareholders, as well as Double Up Food Bucks. Our programs help cultivate food equity in our community and support both existing and aspiring farmers.

Shipping Container Details:
Paintable Area: 3 sides of the shipping container need to be painted:
- 2 larger sides (front and back): 8.5’ x 20’
- 1 side: 8’ x 8.5’
Container 1 Location: Jeffco Head Start (150 Allison St, Arvada, CO 80002)
Container 2 Location: Centura’s Arvada Neighborhood Health Center (16280 W 64th Ave, Arvada, CO 80007). Image of location
Container External Material: Corrugated steel siding

Design Requirements:

• Full Color

• Must prominently display the GoFarm Logo.

• Must represent the GoFarm mission to increase the supply of and access to affordable, fresh, healthy, local food in the state of Colorado.

• Must represent each neighborhood (individually) where the containers are located. Because of this, each container will have a unique design.

Here is an example of our container located in Downtown Golden.

Timeline:

1. By March 28, 2018: Artists will submit one or more rendering of graphical artwork FOR EACH shipping container. The prototypes shall include three detailed scale drawings representing each of the container’s three paintable sides, with at least one color to-scale rendering – from 10” x 12” or larger to serve as design samples for GoFarm’s approval.

2. By April 3, 2018, GoFarm will choose the winning designs and contact the artist to accept. Winner should expect edits and feedback to their design at the discretion of GoFarm.

3. Upon written approval of the two final designs, the winner will paint the exterior three panels of each container in accordance with the approved designs. We will provide an enclosed work space for you to work in during this time. The container located at Centura’s Arvada Neighborhood Health Center, much be completed by May 1, 2018. The container located at the Jeffco Head Start, will not be painted until later in the Summer, around July or August. (exact timing is tbd).
4. We will host an unveiling event for the containers, and we would like the artist to attend these events. The Centura Health unveiling will occur in the middle of May, and may take place on a weekend or weekday. The Head Start container will be unveiled later in the season. More information coming soon on the exact dates and times.

Compensation:

1. Upon GoFarm’s written approval of the Design, GoFarm will pay the winner $250 per container to help pay for any supplies needed (container will come primed ahead of time). Payment will be made at least 10 days in advance of the starting of painting for each comtainer. The winner will then paint the containers in accordance with the approved design.

2. Upon satisfactory completion of painting the containers and after they are unveiled to the public, GoFarm will pay the winning artist the additional $2,250 per container, for their work designing and painting the containers.

3. Winning artist will also gain publicity and recognition, and a written artist spotlight, at the container unveiling events.

4. Winning artist will receive a free GoFarm Vegetable Food Share for the 2018 20-week, season.

Supplies:

• The containers will come primed and protected with a clear-coating after design is painted. GoFarm will not be reimbursing or paying extra compensation over the $5,000 ($250 for supples, $2,250 for reward x 2 containers) prize to cover artist supplies in painting both containers.

Call for entry: Outdoor public project (Las Vegas)

Entry Deadline: 3/16/18

View Site Details
 

Art + Public Outdoor Project = ArtPop!

Imagine your art on a 672-sf canvas that thousands of people throughout the Las Vegas valley will see each day. That is the dream-come-true reality if you are selected to be one of this year’s ArtPop artists. Your winning submission will appear on one of large format and digital billboards donated by our media partners, OUTFRONT Media and Lamar. This translates to a $54K value in advertising space and places your work in a one-of-a-kind, city-sized gallery that beautifies our city and makes art accessible to all. The delivery average for each billboard is 289,993 impressions per 4-weeks! Seven artists will be chosen & receive $500 from the City of Las Vegas office of Cultural Affairs.

When you become an ArtPop artist, you gain career-boosting exposure, and you also join a larger ArtPop family of artists and supporters who are passionate about advocating for local professional artists. Thank you for sharing your submission with us!

ArtPop Las Vegas is presented in partnership with the City of Las Vegas office of Cultural Affairs, AIGA Las Vegas, OUTFRONT Media, and Lamar.

Eligibility

• You must be at least 18 years old.

• You must provide an artist statement and CV.

• You must reside of Clark County

• You must not have been an ArtPop artist in the last three years.

• Submissions must be the work of one individual. Collaborations/teams will not be accepted.

• Submissions must be your original work and have been created in the last two years.

• All disciplines are welcome! If your work is not digital in nature, please photograph and crop your work.  

Materials to Submit:

• You must submit a brief artist statement that explains your medium of work, lists your website URL and social media accounts, and includes a brief explanation of why you would like to be a part of the ArtPop program. Submitting an artist’s CV is highly encouraged.

• You must submit an image/photograph of your work, initially we require a .jpg of your work. See specifications below. If you are one of the winners you will be required to send an high resolution version of your artwork.

Image Requirements/Consideration for Submission:

• Initially we are asking for a 704px by 200px image of you work for our judging process. Please upload a file no larger than 5mb. (See View Site Details)

• Reference the billboards mockups here. (See View Site Details) If you are one of the winning artists we will provide further file preparation instructions.

• Work depicting nude subjects or any slanderous creative will NOT be accepted.

Artist Selection Process:

• A six-member jury, comprised of arts professionals, collectors, and ArtPop alumni, will judge all submissions that meet the above requirements. Seven submissions will be selected and artists will be notified via email by the first week of April. Winning artists will also be awarded a $500.00 cash award.

If Your Art is Chosen:

• Congratulations! You’re now among 200 artists around the country who are ArtPop artists. We will inform you via email sometime before the end of March.
• You must provide us with a final 300dpi-resolution image of your art.
• Get your social media ready and tag #ArtPopLV when you see your billboard live in 2018.
• Please be available from 6:30-8:30 pm on April 8 for the artist reveal reception to be held at Zappos downtown campus.  

DEADLINE TO SUBMIT: MARCH 16th, 2018 at 11:59p.m. PST

ArtPop is a 501(c)3 non-profit organization that works with local arts councils and media companies to promote artists, give them a voice, create public street galleries and energize residents’ commutes. Currently, ArtPop is on the streets of 14 cities nationwide and growing quickly! Art + Public Outdoor Project = ArtPop. For more information, visit ArtPopStreetGallery.com.

ArtPop Las Vegas would like to recognize and thank our essential partnerships: The City of Las Vegas office of Cultural Affairs, AIGA Las Vegas, OUTFRONT Media, and Lamar.

Call for Submission: Call for Lead Visual Artist (Los Angeles)

Call for Lead Visual Artist
Generations of Health – Mural and Fence Arts Project
A project of LA Commons, Expo Center, USC “Good Neighbors”

LA Commons seeks lead artists for Winter/Spring 2018. LA Commons develops
artistic and cultural projects that reveal the unique stories of L.A.’s
Neighborhoods and engage visitors through cultural tours. LA Commons is
partnering with Expo Center and the USC Office of Governmental Relations to
host Generations of Health a mural and fence arts project in which
professional artists lead team of youth (age 15-25 years old) to collect
stories from the community, and work to design and create temporary public
art that will share the stories. Design and creation of mural arts
installation will honor generations of Health and Wellness in South Los
Angeles.

The Role the Artist/Designers in this project will be:
1. To participate in story/image gathering process with the community arts
team.
2. To mentor the Core Youth Arts Team ( age 15-25) to further youth in the
development of skills in image making and design in weekly workshops
3. To lead 2-4 additional intergenerational art sessions with seniors and
preschool.
4. To create final artworks based on youth designs and community images
gathered
5. To collaborate with team and Community Arts Director to support the
creation of cohesive visual messaging and design
6. To attend the Opening Celebration

2018 Timeline
March- May 2018
Artist Qualifications
1. Experience in visual and public arts.
2. Experience working with youth and community.
3. Familiarity with Expo Center and South LA neighborhoods.
4. Interest and experience in collaborative process.
Compensation
$2,200 stipend for each Lead Artist (
*This fee includes conducting weekly workshops with a team of youth, story
gathering, and completion of design review and final artwork. Supplies are
a separate budget.

To Apply
Please submit via email to Beth Peterson beth@lacommons.org
Deadline extended to Tuesday, March 5
1. Current resume and contact information
2. 7-10 Work Samples via email or web links
3. Artist statement of why you are interested in this project: connection
to Health and Wellness in South LA,

-- 
Beth Peterson
Community Arts Programs Director
LA Commons
323-620-6822