Job: treat gallery is looking for Freelance Blog post Art Writers (Anywhere)

Organization

treat gallery new york

Website

http://www.treatgallery.org

Country

United States

Location

New York, NY

Sector

Writing/Editing

Position Level

Entry Level

Education

None Specified

Position Type

Freelance / Consultant

Salary Range

$50 - $75

Application Deadline

04/30/2020

Description

treat gallery new york aims to help our community through contemporary art. During this uncertain time, we continue to help others through free portfolio reviews, graduate features, online exhibitions and more. treat gallery would like to begin a new endeavor - a blog launch featuring ideas, opinions and writings from our community. Contributors do not need to be from the art field. Please note we are not looking to hire a regular, ongoing contributor. This is for one post only. #LI-DNI

Application Instructions / Public Contact Information

treat gallery has a focus on positive news and projects that help others. To apply, please submit in a post for consideration that is between 250-500 words. E-mail the completed post for consideration to info@treatgallery.org. Please note that due to the extreme volume of applicants, we will only be contacting selected writers, and we will not respond to applications that do not follow the guidelines below. Please pay attention to the parameters outlined below: - Writing must be 250-500 Words. - Writing must be completely original - Writing may not be published on another website (excluding your personal blog and social media.) - Writing must be 100% complete and ready to be published. Writers will always retain ownership of their work. If accepted for a post, the writer will be paid via venmo, paypal or check immediately. Posts will be a non-negotiable flat rate of $50-75. If the post is not selected, we will not share your ideas or content with any sources. All questions may be directed to info@treatgallery.org.

Job: Yale University Press needs a FT Publicist (New Haven, CT)

Organization

Yale University

Website

https://yalebooks.yale.edu/

Country

United States

Location

New Haven, CT

Sector

Academic/Education

Position Level

Experienced (Non-Manager)

Education

4-Year Degree

Position Type

Full Time Permanent

Application Deadline

05/18/2020

Description

Yale University offers exciting opportunities for achievement and growth in New Haven, Connecticut. Conveniently located between Boston and New York, New Haven is the creative capital of Connecticut with cultural resources that include three major museums, a critically-acclaimed repertory theater, state-of-the-art concert hall, and world-renowned schools of Architecture, Art, Drama, and Music. General Purpose: Manages all stages and aspects of publicity strategies or campaigns for 100 plus select titles per year. Creates innovative, effective, accurate press materials and up-to-date media lists, with goal of securing national, regional, and local media placements across all platforms – print, broadcast, and online-only. Manages galley or advance mailings as well as review-copy mailings to media contacts. Manages author and publishing-partner relations for select campaigns, acting as liaison between relevant institutions, booksellers, event venues, and/or YUP departments. Creates compelling story ideas, excerpt selections, features narratives, and interviews content, with goal of obtaining feature coverage, interviews, profiles, and other media coverage for YUP authors and books. Responds to media requests and manages relationships with media sources. Pursues coverage creatively and aggressively, with effective follow-up and follow-through. Manages title campaign updates, including distribution of reviews and quotes. Supplies digital visual content to media as appropriate, including author photos, jacket images, and interior illustrations, within copyright guidelines. Works to amplify effectiveness of media placements through social media channels. 1 Initiates and maintains strong working relationships with new media outlets and contacts, both in traditional print and broadcast media as well as online-only platforms. Coordinates with authors and YUP Sales Department to enhance sales opportunities at lecture venues or book talks. Manages title campaign updates, including review/quote distribution. Maintains accurate title budgets, including timely processing/coding of invoices. May perform other duties as assigned. Required Education and Experience: Bachelor's Degree in English, Journalism, Communications, or related field and three years of book publicity or public relations experience or equivalent combination of education and experience. Qualifications: • Excellent communication skills, both written and verbal. Excellent writing and proofreading skills, and attention to detail. • Highly organized with exceptional attention to detail under pressure. A well-developed ability to manage a large number of campaigns simultaneously and to communicate effectively with various stakeholders. • Proficiency with Microsoft Word and Excel. • Strong familiarity with social media, especially in the context of public relations and/or publishing. • Preferred Education and Experience: Master's Degree or Postgraduate Cert. Experience working in a museum setting and with LexisNexis, Adobe Acrobat, or Creative Suite; with a range of Internet search engines and portals as research tools; use of Cision or Publicity Assistant. Understanding of copyright relating to media usage of YUP books. Established contacts in publishing and/or art media worlds. Application: For more information and immediate consideration, please apply online at http://bit.ly/YaleCareers-60900BR. Please be sure to reference this website when applying for this position. We invite you to discover the excitement, diversity, rewards and excellence of a career at Yale University. One of the country's great workplaces, Yale University offers exciting opportunities for meaningful accomplishment and true growth. Our benefits package is among the best anywhere, with a wide variety of insurance choices, liberal paid time off, fantastic family and educational benefits, a variety of retirement benefits, extensive recreational facilities, and much more. Yale University considers applicants for employment without regard to and does not discriminate on the basis of an individual’s sex, race, color, religion, age, disability, status as a veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. https://your.yale.edu/careers #LI-DNI

Application Instructions / Public Contact Information

For more information and immediate consideration, please apply online at http://bit.ly/YaleCareers-60900BR. Please be sure to reference this website when applying for this position.

Grant: National Association of Latino Arts & Cultures has an emergency grant (Varies)

Actos de Confianza Micro-Grant | NALAC

Posted April 9th, 2020

What is an Actos de Confianza: NALAC Micro-Grant?

The National Association of Latino Arts and Cultures (NALAC) recognizes the compounding impact that the COVID-19 public health pandemic is having on our communities and artistic field.  In this moment of uncertainty, we return to the importance of confianza – the act of mutual trust and support to carve a way forward. NALAC has created the Actos de Confianza micro-grant initiative to support artists and arts administrators whose work has been adversely impacted by COVID-19. We will be making $500 micro-grants to provide these individuals with short-term emergency financial assistance to compensate for loss of income due to the cancellation of an event, engagement, project or employment. Funds may be used for basic needs such as rent, groceries, medical bills, childcare and other expenses related to the artist’s essential living expenses. NALAC has committed $25,000 to seed this first phase of emergency relief efforts to Latinx artists and arts administrators. We are committed to working with partners to continue increasing the funding opportunities for our communities.

NALAC acknowledges that COVID-19 has impacted the entire arts and culture sector. However, we request that if you have other resources or sources of income during this time that you consider waiting to apply in solidarity with artists whose main source of income is through their artistic practice.

How does NALAC define emergency financial assistance?

Emergency financial assistance is available for individuals who are currently unable to pay their immediate and basic living expenses – such as food, housing, healthcare and childcare –because of the current public health situation.

Who can apply?

Latinx individual artists and arts administrators based in the United States or Puerto Rico whose work has been adversely impacted by COVID-19 and demonstrate an urgent financial need can apply for short-term financial assistance. Undocumented Latinx artists in the United States, and Latinx artists who have been deported from the United States are also encouraged to apply. All disciplines welcomed. Applicants should be 18 years or older.

What is the deadline to apply?

At this time, there will be one-time call for applications due to availability of funds. The deadline for applications will be on April 16th, 2020 at 4:00PM CENTRAL TIME.

What is the review process?

NALAC staff will be reviewing applications on a first-come first-serve basis, while also considering geographic location, discipline and gender parity in an effort to be equitable with the distribution of available funds. Funded applicants will receive notification via email. Unfunded requests or requests received after the deadline will be considered as funds become available through continued fundraising efforts.

When will selected applicants be notified and funds disbursed?

After selected applicants have been notified, funds will be disbursed between 5 – 7 business days.

How will funds be disbursed?

NALAC will disburse funds by PayPal or ACH (direct deposit). All funded applicants will be asked to complete a W9 form for NALAC’s financial records. In this document, funded applicants will have to provide a social security number or ITIN number. Funded applicants without the accepted IRS tax numbers may use a fiscal sponsor to receive payment. Additional required materials for each form of payment are listed below.

PAYPAL

In addition to submitting a W9, applicants will need to have an account with PayPal set up and provide the email address associated with the account for payment.

ACH Payment (Electronic Payment – Direct Deposit)

In addition to submitting a W9, applicants will need to complete an ACH form that will request banking and routing information. This form will be sent via AdobeSign. 

Apply

Applications are due by 2:00 pm on April 16, 2020.

Visit https://nalac.org/actos-de-confianza-apply/ to apply for this grant.

How can I help increase the pool of available funds?

Please visit our donation page to make a gift of any amount.

If you would like more information on how to partner with NALAC to make a greater impact for Latinx artists and our organization, please contact Evonne Gallardo at egallardo@nalac.org for more information.

Learn about other resources available to the field by visiting www.nalac.org/covid-19/

We want to highlight and thank the Indie Theater Fund, Alternate ROOTS Solidarity Fund, the Pregones/PRTT Relief Drive for Artists and the Soze Foundation Artist + Activist Fund for their COVID-19 rapid-relief model funds, whom we learned from in the build out of this program.


Details

Organization/Company: National Association of Latino Arts & Cultures
Website: https://nalac.org/grants/covid19-relief-efforts/
Location: National
Deadline: April 16, 2020
How to Apply: Visit https://nalac.org/actos-de-confianza-apply/ to apply for this grant.

Call for Curators: The Astoria Music Project/LIC Artists is looking for a curator for a specific show (Astoria, NY)

Organization

The Astoria Music Project/LIC Artists

Website

http://www.astoriamusicproject.com

Country

United States

Location

Astoria, NY

Opportunity Type

Call for Entry/Open Call

Opportunity Discipline

All Visual Arts

Application Deadline

04/17/2020

Description

Curator sought by LIC Artists for pop-up exhibition “Dreams Imagined – Visions Fulfilled” June 12-14 at Plaxall Gallery. In conjunction with the Astoria Music Project’s 2019-20 season, “Music, She Wrote,” this exhibit will explore how female-identifying visual artists and composers alike portray the idea of dreams - both literal and metaphorical. This project is funded by NYSCA and fiscally sponsored by the New York Foundation for the Arts. The curator will work in conjunction with the Plaxall Gallery staff and the creative team of Astoria Music Project to select 10-15 artists’ work for this limited event. Exhibition Details: Location: Plaxall Gallery Dates: June 12-14 (Fri & Sat eve, Sun afternoon) Mediums: All About the exhibition: A consistent champion of female composers, AMP’s 2019-20 season celebrates the centennial of the passage of the 19th Amendment by presenting a season focused entirely on music composed by women. “Dreams Imagined – Visions Fulfilled” will be the fourth and final concert in our women-centric season. Visual artists and composers alike have imagined the places we go when we sleep - everything from fantasies to nightmares. Through their art, they have also depicted ideals, ambitions, and aspirations, whether achievable or not. As the centennial year of the 19th Amendment, 2020 is the perfect time to explore these ideas, as we look back at what dreams women have achieved, and what they still strive for today. We are specifically looking for the female perspective on this topic and would like to show the intersection between old and new through both the visual art and musical selections chosen for this project. Requirements for Curator: - At least 3 years experience in curating pop-up exhibitions - BFA and/or MFA, interest in women’s rights and/or gender studies a plus - Strong collaborative and communication skills - curator is not required to be at the gallery during open hours - curator is expected to be at the gallery for install & the opening performance - Knowledge of/interest in classical music helpful, but not required Compensation: $250

Application Instructions / Public Contact Information

Please send your curatorial resume and a brief statement why you feel this project is right for you to both: The Astoria Music Project: theastoriamusicproject@gmail.com & Att: Gallery Director at info@licartists.org

Call for Papers: THE RACHOFSKY COLLECTION 2020 GRADUATE SYMPOSIUM CALL FOR PAPERS

Organization

The Rachofsky Collection

Website

http://thewarehousedallas.org/education/the-rachofsky-collection-graduate-symposium-at-the-warehouse/

Country

United States

Location

Dallas, TX

Opportunity Type

Call for Entry/Open Call

Opportunity Discipline

All Visual Arts

Application Deadline

05/15/2020

Description

The Rachofsky Collection 2020 Graduate Symposium at The Warehouse Dallas, Texas, November 6, 2020 Deadline: May 15, 2020 The Rachofsky Collection announces an open call for submissions for its 2020 Graduate Symposium at The Warehouse on the theme The Yielding Grid, with keynote speaker Michelle White, Senior Curator at the Menil Collection. This symposium will examine artists who use geometry to address questions of affect, identity, and vulnerability, and who engage with the psychological implications of the grid. A foundational part of The Rachofsky Collection is the aesthetic of global minimalism and its legacies in the work of artists such as Charles Ray, Judy Chicago, Anne Truitt, Richard Tuttle, Jim Hodges, Felix Gonzalez-Torres, Liz Larner, Mona Hatoum, and Leonor Antunes; as well as the movements Post-Minimalism, Arte Povera, and Mono-ha. We invite master’s and doctoral students to present their scholarly work on a host of topics related to geometry and the grid. Students invited to present papers at the symposium will have the opportunity to access works in the collection during a two-day, partially-funded research visit during Summer 2020.

Application Instructions / Public Contact Information

Paper presentations should be 20 minutes in length. Complete proposals must include the following: • A complete mailing address, email address, phone number, research field, and university affiliation of participant. • Paper title and abstract of no more than 300 words, with a list of three to five keywords. Send submissions and questions to caitlin@rachofskyhouse.org. Proposals are due by Friday, May 15, 2020. Successful applicants will be notified by May 20, 2020. Three students will be selected for the 2020 symposium. Please visit our website for more information about the symposium, research visit, and for a list of works in The Rachofsky Collection related to this theme. http://thewarehousedallas.org/education/the-rachofsky-collection-graduate-symposium-at-the-warehouse/

Job: Harvard University Graduate School of Design is looking for a PR wizard (Cambridge, MA)

Organization

Harvard University Graduate School of Design

Website

http://gsd.harvard.edu/

Country

United States

Location

Cambridge, MA

Sector

Communications/PR

Position Level

Executive/Director

Education

4-Year Degree

Position Type

Full Time Permanent

Application Deadline

06/30/2020

Description

Reporting to the Assistant Dean and Director of Communications and Public Programs at the Harvard Graduate School of Design, the Art Director plays an essential role in directing how the school, its prolific output of ideas, its values, and its community are communicated to its many publics. As a member of the Department of Communications, this role shares the goal of strategizing effective and inventive ways of communicating to varied global audiences about the GSD’s faculty and students and their respective research initiatives and practices, showcasing their success and impact in the context of the wider field of design and ensuring a coherent institutional identity across a wide array of print and digital media. In addition to having an exceptional eye for design, it is vital that the person who fills this position bring a keen interest in and skillset for developing a visual and strategic continuity across communications that bear the school’s brand. Toward that end, the Art Director will actively lead the design of a variety of print and digital projects of different scales, principally the school’s website but also including external communications for different offices and departments across the GSD. The Art Director either will undertake the design work on their own, or, as will often be the case, manage the work of external vendors to complete it. The Design Manager may also be called upon to collaborate on editorial projects produced by the Department of Communications, including Harvard Design Magazine and its digital channels, for example. In leading the ongoing design of the school’s website, it is also vital that the person who fills this position have strong project management skills and an enthusiasm for collaborating with colleagues of varying levels of expertise, and be able to translate technical and aesthetic requirements and other project needs clearly and appropriately. This is especially true for the school’s website, which is maintained by an in-house development team and routinely updated with content by a community of editors located in different offices across the school. The Art Director works closely with both groups: prioritizing design work for the development team while also educating the school’s editor community in the site’s capabilities and guiding forward future design enhancements their needs might inspire. Continuing to rally these groups in a common direction—and with clear expectations and quality standards—will be an important ingredient in the Art Director’s success toward the overall goals of this position. Lastly, while it is assumed that the most qualified candidates for this position will be designers and will have a deep background in graphic design, candidates who have demonstrated success in leading or otherwise managing the visual design of high-profile communications projects in an environment of high aesthetic standards are also strongly encouraged to apply. TYPICAL DUTIES AND RESPONSIBILITIES: • Actively produces new and inventive means of communicating visually how the school, its prolific output of ideas, its values, and its community are communicated to its many publics. • Develops a strategy for and ensures continuity in the visual application of the school’s graphic identity across print and digital communications. • Directs the ongoing design of the school’s primary website, collaborating closely with the school’s internal development team to plan and prioritize design projects into discrete development sprints, while also collaborating closely with the school’s community of content editors on design-related challenges, as they emerge. • Collaborates with other colleagues in the Department of Communications on the design and/or art direction of content across the GSD’s public digital channels and with external content partners. • Cultivates a network of external graphic designers, developers, and other digital producers to collaborate with on a project basis. • Leads or consults on design for ad-hoc communications projects, as assigned. • Serves as a member of the school’s digital governance committee and helps maintain the university’s digital accessibility standards. • Performs other job-related responsibilities as needed BASIC QUALIFICATIONS: • Bachelor’s degree required, with 5+ years working as part of an in-house design team or in an agency environment, with exceptional skills in both print and digital design. • Expert experience with Wordpress and Adobe Creative Suite. • Demonstrated ability to translate an institutional graphic identity and/or brand values to a wide array of print and digital applications. • Demonstrated success in managing a variety of vendor and/or client relationships. ADDITIONAL REQUIREMENTS: • Master’s degree in graphic design or in a field with direct relevance to the nature of this role, preferred. • An eagerness to stay abreast of, experiment with, and incorporate new tools and technologies. • Strong project management experience—experience with agile development workflow preferred. • Must be comfortable working in a fast-paced, high-pressured environment and be self-motivated to bring projects to completion on time and without compromises in quality. • Must be able to work independently and be enthusiastic, respectful, and diplomatic about engaging with and across groups of highly ambitious individuals operating near or at the tops of their professions. • Must be committed to contributing to and helping to cultivate a professional environment underpinned by respect for colleagues and their expertise; open dialogue and a collaborative approach to work; openness to feedback; and a common commitment to doing excellent work. #LI-DNI

Application Instructions / Public Contact Information

Please note that salary expectations will be discussed during the interview process. Please apply on the Harvard Careers page at https://hr.harvard.edu/search-jobs. Search external jobs and search the requisition number 51845BR.

Job: Freelance Art Writer needed for a gallery (NYC)

Organization

Elizabeth Houston Gallery

Website

http://www.elizabethhoustongallery.com

Country

United States

Location

New York, NY

Sector

Gallery

Position Level

Experienced (Non-Manager)

Education

4-Year Degree

Position Type

Freelance / Consultant

Description

Contemporary Art Gallery is currently seeking a freelance published art writer for press releases, biographies and catalog essays. The ideal candidate must have a strong knowledge of contemporary art and/or the history of photography with an eloquent, precise manner of writing. She/He will work in the gallery with the Director on each project. #LI-DNI

Application Instructions / Public Contact Information

Please email a cover letter, resume, compensation requirements and three art writing samples to elizabethhoustongallery@gmail.com

Call for Proposals: Dixie State University Science - Engineering & Technology - Utah Public Art

Dixie State University Science - Engineering & Technology - Utah Public Art
Utah Public Art Program
300 S. Rio Grande
Salt Lake City, UT 84101

APPLY NOW


Contact Email: jglenn@utah.gov
Call Type: Unspecified
Eligibility: Unspecified
State: Utah
Entry Deadline: 4/24/20
Days remaining to deadline: 47

REQUIREMENTS:
Media
Images - Minimum: 1, Maximum: 10
Audio - Minimum: 0, Maximum: 6
Video - Minimum: 0, Maximum: 6
Total Media - Minimum: 1, Maximum: 10



View Site Details

Dixie State University in partnership with the Utah Division of Facilities Construction and Management and the Utah Division of Arts & Museum Public Art Program is requesting artist or artist team qualifications for the creation of site-specific artwork(s) for the Dixie State University Science, Technology and Engineering Building in St. George, Utah.

DEADLINE FOR MATERIALS: April 24, 2020

DIXIE UNIVERSITY - SCIENCE, TECHNOLOGY AND ENGINEERING 
The College of Science, Engineering, and Technology offers Bachelor's degrees, Associate of Arts or Science degrees and Associate degrees in Applied Science. A Dixie State University education provides experience through undergraduate research while preparing students for their career. 

Courses offered in the Science, Engineering and Technology departments are well planned and designed to give students the best education possible. Classes and laboratories are designed to stimulate and increase students’ desire to learn and succeed.

This new building will enable the university to expand its academic offerings in computer, electrical and mechanical engineering along with biology, chemistry, physics, geology, physiology and genetic counseling. Graduates in these programs will go on to fill regional health care and technology workforce shortages.

Additionally, the facility will allow Dixie State to create technology, engineering and biotech pipeline programs with Intermountain Healthcare, the University of Utah and local tech industry partners.

ARCHITECTURAL DESIGN
Standing five stories high and consisting of 122,000 square feet of classrooms, laboratories and support spaces, the new Science, Technology & Engineering Building at Dixie State University will help meet the ever increasing demand for state-of-the-art science and engineering facilities required by so many of the majors offered by the university.  Disciplines that will be taught in this building include Physics, Chemistry, Biology, Genetics, Geo Sciences, Prototyping, Thermofluids, Mechatronics and Computer Sciences, to name a few.  From the beginning of the project, the various departments belonging to this building have expressed excitement to cohabitate and a desire for increased cross-disciplinary collaboration.

One key architectural response to this desire for collaboration was inspired by an oasis within a desert.  In a harsh desert environment, an oasis provides shelter, resources, and comfort sought out by all walks of life.  An oasis brings many unlikely life forms together to a place of cohabitation where all can enjoy the amenities that the oasis has to offer.  Strategically placed throughout the SET building are many shared “oasis” spaces for both students and faculty of all disciplines to enjoy, including a café, a variety of study areas, public roof-top terraces, and student and faculty break rooms.  In the main student study areas on each floor these “oases” are marked by a slat-wood ceiling design intended to evoke the feeling of being under a canopy of trees. The spaces where light peaks through tree branches in a canopy was geometricized and represented as voided triangles with carefully selected light fixtures to create an ambiance different from other areas of the building.  These main student study areas are located along the main pathway through the building creating a common ground for all disciplines to study, recharge, meet, and interact.

The location of this building and its relationship to campus also promotes interaction.  The SET Building sits at the extreme south end of its site and engages with the a main student thoroughfare, providing views into some of the building’s most interactive labs as well as a featured view into the mechanical room which will highlight the beauty of the intricate mechanical design required to make the science and engineering labs function.  Two tiered classrooms above span across the student thoroughfare and reach out towards the fountain.  On the north side of the building is an engineering yard just outside of the prototyping and project labs where engineering students can wheel out large projects to work in the open air.  The engineering yard also provides an open space outside for students to showcase their work to the public on certain occasions such as the Dixie Design Days event.

The exterior building materials were selected from a color palette to be “of the desert”.  The base of the building is clad in Glass Fiber Reinforced Concrete (GFRC) panels, which becomes a visual plinth that the building rests upon.  A glass curtain wall system populates the north and south facades, allowing for daylighting into the science labs and views out across campus and to the desert landscape beyond. 

The south curtainwall is equipped with sunshades to mitigate glare and solar heat gain. The east and west facades are clad with Copper metal panels which are expected to patina to a rich dark brown color in Southern Utah’s arid environment. Copper’s thermal, conductive, geological, chemical and microbial properties seem to give this metal a special relevance and meaning to each discipline in this building, making this building material particularly appropriate for a building that celebrates different forms of knowledge coming together to spark innovation and collaboration.

COMMITTEE STATEMENT
The Selection Committee asks that interested artist consider:
Active Learning / Active Life is the vision for Dixie State University and informs this facility design as well as the learning and teaching in the College of Science, Technology and Engineering.

The College is creating a space to design and make. The intent is impact and less as spectator or lecture. This building will be a dense “beehive” of activity with “do space” for students and faculty working in “maker spaces.” The aim is innovation, collaboration and inspiration.

The science themed and rich materiality of the building design provides many opportunities for the integration of an artist’s interpretation into the architecture and site. 

The Selection Committee is open to artist suggested sites, both interior and exterior, but has identified areas that would likely not be ideal sites for public art: west side exterior, stairwells, glass / windows, or north portion of student lounge. The southern exterior sidewalk / plaza is a fire lane and cannot be obstructed. Lastly, the windows into the laboratories facing the plaza are designed to allowing viewing into and out of the labs and should be considered for any proposals involving those areas.

The attached plans and elevations have been marked with some of the potential sites as identified by the Committee understanding that artists may see other opportunities / sites.

DIXIE STATE UNIVERSITY
Dixie State University is a public comprehensive university dedicated to rigorous learning and the enrichment of the professional and personal lives of its students and community by providing opportunities that engage the unique Southern Utah environment and resources.

Dr. Richard B. Williams, President of Dixie University writes, “As a regional state university, we promote our campus-wide culture of learning by providing our students with rigorous instruction and personalized attention delivered by a talented roster of highly trained and educated faculty. We are proud to offer nearly 60 undergraduate programs and 44 highly sought after bachelor degree programs. As part of our mission, Dixie State has also maintained its role as a community college in providing several educational and vocational opportunities to our students. We embrace and celebrate a culture of values and we take pride in fostering a spirit of service, citizenship, diversity, ethics and collaboration – all of which are hallmarks of a true university.”

ST. GEORGE / WASHINGTON COUNTY, UTAH  
St. George is the county seat of Washington County, Utah. It is located in the southwestern part of the state near the Arizona and Nevada borders. The city lies in the northeasternmost part of the Mojave Desert, adjacent to the Pine Valley Mountains near the convergence of three distinct geological areas: the Mojave Desert, Colorado Plateau, and Great Basin. The city is 118 miles (190 km) northeast of Las Vegas and 300 miles (480 km) south-southwest of Salt Lake City. The St. George area is well known for its natural environment and proximity to several state and national parks.

As of the 2018 U.S Census estimates, the city had a population of 87,178, and the St. George metropolitan area had an estimated population of 171,700.  St. George is the seventh-largest city in Utah and most populous city in the state outside of the Wasatch Front.

St. George was identified as the fastest growing metropolitan area in the U.S. in 2018. St. George ranked most secure and best place to live in the United States in 2006, and was rated among the top 10 best small cities in the country for business and careers by Forbes.

The Virgin River Anasazi were St. George’s earliest residents, inhabiting the area from approximately 200 B.C. to 1200 A.D. They left behind rock art and ruins of their dwellings. The reason for their departure is unknown to this day. The Paiute tribe arrived between 1100 and 1200 A.D., utilizing the area as a hunting ground for deer, rabbits and other animals. The Paiutes also grew crops along the riverbeds, including corn, wheat and melons. In 1776, the Dominguez-Escalante Party became the first recorded European-Americans to visit the area. Fur trappers and government survey parties followed.

St. George became the county seat of Washington County in 1863. In 1911, to commemorate the 50th anniversary of St. George’s settling, the Dixie Stake Academy building was constructed. The LDS Church operated the academy until 1933, when it became a two-year college within Utah’s higher education system. The new Dixie College campus opened in the southeastern corner of the city in the 1960’s. 
(courtesy visitstgeorge.com and Wikipedia.org)

BUDGET
$340,000 is available for all related expenses of this Public Art commission(s) including (but not limited to) artist fees, fabrication, insurance, shipping, travel, installation, documentation, etc.

ELIGIBILITY
Resident US citizen or legal resident artists / artist teams are eligible to apply for this project. Utah artists are strongly encouraged to apply.  Art Selection Committee members, staff and Board of Utah Arts & Museums, and VCBO Architects are not eligible to apply for this commission.  

SUBMISSION INTRUCTIONS 
Register at https://www.callforentry.org/ and follow the directions for registration and submitting material for this Public Art Request for Qualifications    

REQUIRED APPLICATOIN MATERIALS 
1. Letter of Interest: Briefly describe your interest in this project and how your work may relate. If you have a concept in mind you may include that information. 5000 Maximum Character Limit

2. Visual support materials: Visual representations of your work in up to ten still images and/or up to six moving image files – for total of 10 samples maximum. (jpg files under 5MB –Video files: MOV, MP4, WMV, 3GP, AVI, ASF, MPG, M2T, MKV, M2TS under 100 MB - Audio files: AIFF, WAV, XMF, MP3 under 10 MB

3. CV/Resume: Upload up to three pages.

Faxed or e-mailed applications cannot be accepted. The Art Selection Committee reserves the right to withhold the award of a commission or re-release the call for entries.  

DEADLINE
Complete applications packages must be submitted on or before April 24, 2020 by 11:59 pm (MST) via CaFE.

SELECTION PROCESS AND SCHEDULE
The Selection Committee will review all preliminary material properly submitted.  Finalists will be selected from the first phase of applicants and asked to present a working proposal to the Selection Committee on July 16, 2020. Contacts and as much information as possible will be provided to the finalists to assist in research and development of a proposal.

An honorarium will be offered to the finalists to help defray the costs associated with development of a proposal and travel. This honorarium will be applied toward the commission amount for the artist(s) awarded the commission. Final selection(s) will be made from the finalists interviewed. 

Schedule:
February 2020 - Release RFQ
April 24, 2020 - Deadline for receipt of preliminary materials
May 14, 2020 - Committee Review 
July 16, 2020 – Finalists presentations
May 15, 2021 – Substantial completion of the project

ARTIST SELECTION COMMITTEE 
Clint Bunnell - State of Utah, Division of Facilities Construction & Management
Shane Christensen - Dixie State University (DSU,) Assistant Professor of Art
Tyler Froelich - VCBO Architecture 
Paul Morris - DSU, Vice President of Administrative Affairs
Eric Pedersen - DSU, Dean of College of Science, Engineering & Technology
Richard Williams - DSU, President

If you have any questions about this or other projects, information is available at: publicart.utah.gov 
Or contact:  Jim Glenn at 801-245-7271 or jglenn@utah.gov
All images courtesy VCBO Architects and Dixie State University

Job: New York City Library is looking for a FT Collections Manager (NYC)

Organization

The New York Public Library

Website

https://www.nypl.org/

Country

United States

Location

New York, NY

Sector

Libraries

Position Level

Experienced (Non-Manager)

Education

4-Year Degree

Position Type

Full Time Permanent

Description

Overview The special collections of the New York Public Library pass through the Library Services Center (LSC) in Long Island City as they are acquired, processed, prepared for exhibition and outgoing loan, undergo conservation treatment, and are digitized. NYPL is creating a new Collection Manager position to manage and track collections as they arrive, progress through these activities at LSC, and are transported to their permanent storage locations. The successful candidate will consolidate and refine current processes to improve tracking and readiness of materials for the Special Collections Processing unit, develop benchmarks for the performance of and implement effective storeroom management, and coordinate the development of standard collection documentation practices. Reporting to the Senior Manager, Collection Management, this position will work with partners across curatorial, preservation, digital, facilities, security, and logistics divisions, as well as donors and vendors. Candidates who are collaborative, inclusive, and can think creatively will find this opportunity one in which they can further develop an array of skills in archival science, collection management, logistics, preventive conservation, and registration. Principal Responsibilities Reporting to the Senior Manager, Collection Management, the Collection Manager will: •Manage all collections entering LSC, including receiving, storeroom management, location management, and coordinating transport of collections to permanent storage locations •Accession new special collection acquisitions •Oversee special collection acquisition logistics, collaborating with curators and coordinating with internal and external partners to efficiently transport and intake new acquisitions •Effectively manage the completion, quality control, physical organization, storage, and dissemination of collection documentation at the time of acquisition •Coordinate site visits to physically evaluate and document potential acquisitions •Coordinate shipment of special collections to LSC from Research Centers, RECAP, and other external storage locations •Liaise with Facilities, Security, and Capital Planning staff around preventive conservation and building management issues for LSC storerooms •Serve on the REACT collection emergency team. Required Education & Experience •Masters degree in Library or Archival Science, Museum Studies, Arts Administration or equivalent experience, with a concentration or experience in collection registration and management required •Broad humanities knowledge as demonstrated through academic degrees or an equivalent combination of training and experience •Three or more years experience in registration, acquisitions management, and/or managing collections required Minimum Qualifications •Familiarity with professional standards in cultural heritage collection management and registration and a strong sense of legal and ethical issues surrounding the acquisition of different types of collections required •Demonstrated knowledge of a wide range of special collection formats and their related preservation issues, including appropriate packing, shipping, and storage •Knowledge of packing methods and materials and associated vendors required. Must be able to assess and articulate risks associated with different methods •Demonstrated record of designing and managing projects and bringing them to a conclusion in a timely fashion. •Experience working collaboratively and independently with varied groups within a complex organization and rapidly changing team environment. •Experience working with fine arts shippers required, including a working knowledge about customs requirements, long-distance shipping, and insurance •Demonstrated familiarity with collection storeroom management and preventive conservation required •Attention to detail and excellent customer service required •Excellent verbal and written communications Preferred Qualifications •Experience with procedures and systems for accessioning manuscript and archival materials preferred •Experience processing and cataloging literary manuscripts and archival collections preferred All team members are expected and encouraged to embody the NYPL Core Values: •Be Helpful to patrons and colleagues •Be Resourceful in solving problems •Be Curious in all aspects of your work Work Environment •Office setting •Storage area setting •Offsite, including donor’s homes, basements, attics, storage facilities, warehouses •Public library setting Physical Duties •Must travel to four research library sites and to donor homes and warehouses in the NYC metropolitan area. These areas may include basements, attics, outbuildings, and spaces that may be dusty, dirty, or difficult to access. Some additional travel outside the NYC area may be required. •Position involves reasonable exposure to dust •Ability to lift up to 40 pounds (record cartons filled with paper and other material) repeatedly from floor to shelf/cart and climb ladders simultaneously as well as stand for long periods of time required. Hours 35 hours per week #LI-DNI

Application Instructions / Public Contact Information

https://jobs-nypl.icims.com/jobs/11260/collection-manager/job

Grant: California-based artists who need a quick grant to attend conference or similar (Copy)

Quick Grant Program
Center for Cultural Innovation

PURPOSE
The Quick Grant program provides professional development funds to San Francisco Bay Area
arts organizations and artists, creatives, cultural practitioners, and cultural producers in the
state of California to enroll in workshops, attend conferences, and work with consultants,
coaches, and mentors in order to build administrative capacity, hone business skills, and
strengthen the economic sustainability of an organization, arts practice, or area of cultural
production.

AWARDS
Artists, creatives, cultural practitioners, and cultural producers meeting eligibility
requirements may receive one annual award of up to $600 in reimbursement funding to
participate in approved professional development activities.
Nonprofit arts organization staff members meeting eligibility requirements may receive one
annual award of up to $600 each in reimbursement funding to participate in approved
professional development activities. Up to two individual staff members may apply per
organization per year, including staff, board, or key volunteers.

ELIGIBILITY
The Quick Grant program is supported by a joint consortium of California arts funders. Eligibility
criteria may therefore vary slightly by region. Artists, creatives, cultural practitioners, cultural
producers, and nonprofit arts organizations may apply if they meet the eligibility criteria for any
of the Quick Grant program's funding partners as follows:

Artists, Creatives, Cultural Practitioners, & Cultural Producers

  • Artists, creatives, cultural practitioners, and cultural producers living in the state of California (demonstrated by resume); and/or

  • Current San Francisco Arts Commission individual grantees; and/or

  • Individuals who have applied to the California Community Foundation Visual Arts Fellowship since July 2012 but have not received a fellowship, with a preference for applicants of color and/or applicants from Antelope Valley, Pomona, San Fernando Valley, Southeast LA, and Long Beach.

Nonprofit Arts Organizations

  • Staff at a nonprofit arts organization in the city of San Francisco or the city of San José; and/or

  • Staff of a current Grants for the Arts (GFTA) organizational grantee receiving operational (includes Arts & Parades) and/or Voluntary Arts Contribution Fund support.

ELIGIBLE COSTS
Funding may be used to reimburse part or all of the following expenses after Quick Grant
approval:

  • Travel and hotel expenses, if the workshop, festival, or conference occurs outside a 60 mile radius of applicant's primary address

  • Registration fees for conferences, festivals, workshops, and trainings

  • Fees to engage a facilitator, executive coach, mentor, career counselor or other consultant, in order to build administrative and business skills


Contact: Center for Cultural Innovation
Phone: 415.288.0530
Email: quickgrant@cciarts.org
Website: https://www.cciarts.org/quick_grant.htm
Grant link: https://www.cciarts.org/_Library/docs/QG_Guidelines_English_May_2019.pdf
Deadline: 04-15-2020

Residency: Social Practice and Community Engaged Artist Residency (Lancaster, PA)

Social Practice and Community Engaged Artist Residency
Attn. Center for Sustained Engagement with Lancaster
P.O. Box 3003
Lancaster, PA
17604-3003

APPLY NOW


Contact Email: salmanza@fandm.edu
Call Type: Residencies
Eligibility: Local
State: Pennsylvania
Event Dates: 8/1/20 - 2/1/21
Entry Deadline: 5/1/20
Days remaining to deadline: 54

REQUIREMENTS:
Media
Images - Minimum: 10, Maximum: 15
Audio - Minimum: 0, Maximum: 5
Video - Minimum: 0, Maximum: 5
Total Media - Minimum: 10, Maximum: 20

OVERVIEW OF RESIDENCY

The Social Practice And Community Engagement Artist in Residency program (SPACE AIR) at Franklin and Marshall College is seeking emerging and mid-career artists with demonstrated experience or commitment to social practice and/or community based projects in the Lancaster County region. The residency is a program of the Center for Sustained Engagement with Lancaster (CSEwL).

Prospective residents must be from or currently living, working or studying in Lancaster County, Pennsylvania. 

Experienced artists for the purposes of this residency are defined as individuals with a regional or national exhibition record, public speaking experience, and an openness to collaboration (prior collaborative experience helpful).  

This residency is designed for artists who would benefit from engaging community members at Franklin and Marshall College, Lancaster County, and City residents within their communities.

This residency is also designed to be a mutual benefit to the Department of Art and Art History, Film and Media Studies at Franklin and Marshall College, the Phillips Museum of Art,  and the Artist in Residence (AIR). Meaning, students, faculty, and staff involved will benefit from having an artist cultivate the movement toward more community based art practice. Additionally, exposure to working artists is imperative to the growth and development of students in arts programs. This residency will provide opportunities for convergence and idea sharing between participating artists, students, faculty, and staff.

SO WHAT IS SOCIAL PRACTICE? 

Social Practice and Community Based  Art are two distinct but intersecting methods of working in and with a community (broadly defined as geographic and diasporic). Rooted in empathetic collaboration, civic engagement, and critical discourse, both practices use art making as a vehicle for collaboration, communication, and problem solving.  

Simply put: Social Practice Art involves an artist working in the context of social issues or toward social impact. Often social practice art involves working in a community but may not be restricted by a geographic communities boundaries. Community Based Art is understood as artists working collaboratively with and  in a specific community, often geographically bound, on creative and/or artistic projects that address a community-specific social issue. 

In both cases, an artist is working with and in a community and requires an artist who is open to collaboration, aware of their own biases, and willing to navigate challenging environments and tension (within reason) to gain the trust of their community partners. Successful Social Practice projects are non-hierarchical; address/critique systems, not people; and share the mic and amplify the voices of community members.

SPACE RESIDENT COMMITMENTS: 

The 25-week (6 month) residency provides the SPACE AIR with scheduled programming on campus, including five Labs throughout the duration of their tenure. Labs are led by interdepartmental faculty and staff at Franklin and Marshall College as well as local experts. Lab will take place within the first month of residence. These labs will provide the AIR with a toolbox that will help them conduct a minimum of three community-based engagements open to the public. Labs include, but are not limited to:

  • Trauma-Informed Practice

  • Cultural norms

  • Cultural Competency and Bias

  • Effective communication with communities of varying reading/language levels

  • Guided Art Making for Non-Artists

The SPACE residency will close with an exhibition in the Winter Center for Visual Arts galleries upon approval of the AIRs exhibition proposal. The exhibition provides an opportunity for the AIR to present the cumulation of their work created in the Lancaster community or as a result of their community-based engagements. 

In addition to the three community-based engagements and five SPACE Labs, SPACE residents will participate in: 

  • One-day orientation on campus including an informal meeting with Phillips Museum staff, Studio Faculty, and the SPACE selection committee

  • Open Studio (for the greater Lancaster Community) at least once a month during their tenure 

  • Office Hours (for F&M Students, Faculty and Staff) 

  • Teaching Assistance and/or Lab Assistance as agreed upon with current Department of Art and Art History Faculty and Staff

  • Regular check-in and planning meetings with SPACE leadership

  • Artist Talk after exhibit opens (during opening reception)

  • Guest instruction as agreed upon with current Department of Art and Art History Faculty and Staff

  • Attendance at relevant community events/meetings 

SPACE PERKS!

SPACE AIRs receives: 

  • 24/7 access to a private studio space 

  • Access to Darkroom, Printmaking Lab, Digital Lab, Sculpture Studio, Painting Studio, Drawing Studio, and other amenities in the Winter Center for Visual Arts in agreement with the principal stakeholders of the Center (Art and Art History, Film and Media in concert with the Provost Office and the Phillips Museum of Art) and Professional Staff (Photography and Film Technicians and Wood Shop Supervisors).

  • Access to all Franklin and Marshall College libraries during SPACE tenure

  • Access to the Phillips Museum of Art archives and collection in agreement with Phillips Museum of Art Staff

  • Emotional/Trauma informed support via on campus health services*

  • Final exhibition in the Winter Center in collaboration with the Phillips Museum of Art.

  • A stipend of $20,000 (includes supplies and travel)

*Chosen artists may use this option in addition to the general support provided by the residency coordinator. This is not mandatory but is a hugely beneficial service for community based artists.

Call for Proposals: Clear Lake Arts Center 2020-2021 (Clear Lake, IA)

Request for Exhibition Proposals for 2020/2021
Clear Lake Arts Center
PO Box 803
Clear Lake, IA 50428

APPLY NOW


Contact Email: info@clearlakeartscenter.org
Call Type: Exhibitions
Eligibility: Regional
State: Iowa
Entry Deadline: 4/30/20
Days remaining to deadline: 56
Number of Applications Allowed: 2

REQUIREMENTS:
Media
Images - Minimum: 8, Maximum: 12
Total Media - Minimum: 8, Maximum: 12

Call for Entries from Regional Artists

Application is open to professional, student, and amateur artists of all backgrounds over the age of 18 residing or working in Iowa or surrounding states. Each of the selected artists for exhibition will retain ownership of their work and agree to loan the work for exhibition during the time specified. Pieces can be sold at any time during the exhibition but must remain in place for the duration. Forty (40) percent commission of any piece sold is retained by the Clear Lake Arts Center to support next year’s exhibition. There is no application fee.

Selection Panel

The exhibitions for this 2020/2021 exhibition calendar will be chosen by a volunteer panel of Art Supporters who are passionate about the mission of the Arts Center. Entries are juried on artistic merit, creativity, innovation, technical skill, and imagination. All submissions must be of sound construction and able to remain in excellent condition during the exhibition. Entries are selected from images and the description provided.

Entries

If you are interested in having your work considered, you may submit up to two proposals. All work must be the original work of the artists: in concept, composition, and execution. Applications are open to professional, student and amateur sculptors of all backgrounds and over the age of 18 residing or working in Iowa or surrounding states. Artworks must not present a safety risk to the public, as well as unsupervised interaction, and be maintenance-free for the duration of the exhibition.

more info here

Grant: The Adolph & Esther Gottlieb Emergency Grant (Various)

The Adolph & Esther Gottlieb Emergency Grant

The Adolph and Esther Gottlieb Emergency Grant program is intended to provide interim financial assistance to qualified painters, printmakers, and sculptors whose needs are the result of an unforeseen, catastrophic incident, and who lack the resources to meet that situation. Each grant is given as one-time assistance for a specific emergency, examples of which are fire, flood, or emergency medical need. 

WHO: Artist who can demonstrate a minimum involvement of ten years in a mature phase of his or her work

FIELD: Painting, sculpture or printmaking

AMOUNT: The maximum amount of this grant is $15,000; an award of $5,000 is typical

DEADLINE: Ongoing

FINE PRINT: The program does not consider requests for dental work, chronic situations, capital improvements, or projects of any kind; nor can it consider situations resulting from general indebtedness or lack of employment. Learn more here.

Residency: SPACE & TIME ARTIST RESIDENCY AT GUTTENBERG ARTS (WINTER & SUMMER 2021 PROGRAMS) (New Jersey)

SPACE & TIME ARTIST RESIDENCY AT GUTTENBERG ARTS (WINTER & SUMMER 2021 PROGRAMS)

Home > Classifieds > Opportunities > Space & Time Artist Residency at Guttenberg Arts (Winter & Summer 2021 Programs)

Organization

Guttenberg Arts

Website

https://guttenbergarts.submittable.com/submit

Country

United States

Location

Guttenberg, NJ

Opportunity Type

Residency / Artist Colony

Opportunity Discipline

All Visual Arts

Application Deadline

04/19/2020

Description

The Space and Time Artist Residency at Guttenberg Arts provides artists with up to $1,200.00 USD in cash stipends to cover material, travel, and housing in conjunction with 24/7 shared access to a 4,500 sq. ft. professionally equipped workspace for the visual arts including printmaking, dark room and ceramics facilities for three months in Guttenberg, New Jersey (just across the Hudson River). Artists will also be given a group show at the end of the residency, as well as studio visits from accomplished professionals from the art world. Each artist is required to give a free public artist lecture or workshop towards the close of their three month residency and spend a minimum of 15 hours a week in studio. We highly recommend a site visit to our building if you are unsure of your commute or have questions regarding our facilities. Artists are selected by a blind jury of arts professionals on the merits of their work. Please note we do not provide housing accommodations. Guttenberg Arts is dedicated to promoting the visual arts by providing practicing artists with the space and time to develop their work while engaging with the public. Guttenberg Arts aims to increase opportunities for supported artists by expanding their community through artistic collaborations and promotion to curators and collectors in the tri-state area. WINTER RESIDENCY IS JANUARY 8TH - APRIL 4TH 2021 SUMMER RESIDENCY IS MAY 3RD - AUGUST 1ST 2021

Application Instructions / Public Contact Information

WINTER RESIDENCY IS JANUARY 8TH - APRIL 4TH 2021 SUMMER RESIDENCY IS MAY 3RD - AUGUST 1ST 2021 Applications for both Winter & Summer 2021 residencies will be due by Sunday April 19th at 11:59pm. Applicants will be emailed final notification by Monday June 8th, 2020. APPLICATION REQUIREMENTS Statement of Intent/Project Proposal (500 words or less) Artist Statement (500 words or less) Artist CV Artist Workshop Proposal 10 images (up to 5mb each, 300 dpi is recommended) List of Work (stating title, materials, dimensions, date) APPLICATION GUIDELINES Guttenberg Arts is committed to supporting artists of diverse cultural, sexual, and ethnic backgrounds. Guttenberg Arts does not discriminate based on age, gender, ethnicity, sexuality, or ability/disability of artists, and welcomes work whose content reflects the lived experiences of the applicants. You must be 21 years old or older and not currently enrolled in any undergraduate or graduate degree program. Please note we do not provide housing accommodations. Incomplete or incorrect application will automatically be disqualified, please read the application requirements carefully before beginning the application online. For any questions please contact us at: studio@guttenbergarts.org. ARTIST PARTICIPATION EXPECTATIONS Artist in Resident participants are expected make a serious commitment to the program for the entire three-month session and to utilize the studio actively and consistently (on average artists are in the studio 15 hours per week). In addition, artists are required to give an public artist talk or teach one public workshop. It is vital to the success of the program that Artist in Resident participants fully take advantage of the unique resources we are able to provide. For this reason, Artist in Resident participants cannot simultaneously participate in another residency or degree-granting program while participating in Guttenberg Arts Space and Time Artist Residency. Please note: Artists are guaranteed the first stipend of $400 but are required to clock a total 240 hours during the program (80 hours per month x 3 months) to be awarded the remaining $800 in unrestricted cash stipends. FORMATTING OF WORK SAMPLES: DIGITAL IMAGES File name: Images numbered in the order you would like them to be seen and labeled according to the titles on your list of work. (Example- “01untitled.jpg, 02sunset.jpg, 03Portrait.jpg”) File size: No larger than 5.0 MB (each image) at 300dpi File format: .JPG (preferred) No composite images will be reviewed. A composite image is a single image file that is comprised of multiple images. Images of diptychs, installations, and multi-part works are not considered composites and are permissible. Images will be shown in the order they are uploaded and are viewed at roughly 30" x 40" per image via high definition digital monitor. Moderators will read aloud the materials, dimensions, and date of the image; panelists will have access to this information as well. CONTACT: email matt@guttenbergarts.org with any questions!

Grant: Western Governors' Association "Celebrate the West" (HIGH SCHOOL STUDENTS ONLY)

Celebrate the West
Western Governors' Association

The Western Governors' Foundation is proud to announce the 2020 "Celebrate the West" regional art competition that challenges high school students to create works inspired by their state.

WGA's visual arts challenge, sponsored by the Western Governors' Foundation, is open to high school students in the 19 Western states and three U.S.-flag islands served by the nonpartisan policy association. (Complete list of states below.)

Entrants from WGA member states will create original two-dimensional artwork inspired by their state or informed by living in the West. Students may draw ideas from a variety of sources, including state history, landmarks, natural resources, National Parks and Monuments, people, communities, and culture.

"Original artwork" is defined as artwork which is unique in concept, design, and execution, and is created directly and personally by the Student. "Original" work is not a copy or imitation of another person's work.

Winning artists will receive cash prizes and their works will be displayed at an upcoming WGA Governors' meeting, as well as on the WGA website. In brief, here's how "Celebrate the West" works:

  • Students will submit a digital copy of their entry via email by April 30, 2020. (Entries may be scanned, a digital photo, etc.) WGA staff and Denver area art experts will select "Finalists" from states and flag islands.

  • Finalists will be displayed at the WGA Governors' Summer Meeting to be held in Medora. North Dakota June 29-July 2, 2020.Finalists will compete for First, Second, Third, and Fourth Place Awards voted on by meeting attendees, which include governors and their staff, U.S. Cabinet members, and WGA sponsors. The First-Place Prize award is $1,200, the Second-Place prize is $750, Third-Place will be awarded $500, $200 will be awarded to each remaining State Finalist.

Students may also have the opportunity to have their artwork displayed in their home state's capitol building and meet with their governor. This is subject to scheduling and availability and may not be awarded to all students.

"Celebrate the West" is open to high school students from Alaska, American Samoa, Arizona, California, Colorado, Guam, Hawaii, Idaho, Kansas, Montana, Nevada, New Mexico, North Dakota, Northern Mariana Islands, Oklahoma, Oregon, South Dakota, Utah, Washington, Wyoming.


Contact:
Phone:
Email:
Website: http://westgov.org/
Grant link: http://westgov.org/celebrate-the-west/2020-competition
Deadline: 04-30-2020

Job: SVA is looking for a Graduate Admissions Counselor (FT; NYC)

Home > Classifieds > Jobs > Graduate Admissions Coordinator

Organization

School of Visual Arts

Website

http://www.sva.edu

Country

United States

Location

New York, NY

Sector

Academic/Education

Position Level

Experienced (Non-Manager)

Education

4-Year Degree

Position Type

Full Time Permanent

Description

Job Title: Graduate Admissions Coordinator Department: Admissions Reports To: Associate Director of Graduate Admissions Position Overview: Process a high volume of prospective student inquiries, applications and applicant materials to the college’s graduate programs. Answer inquiries received by phone and email. Track applications and applicant data for review and respond to applicant questions. Assist in the daily operations of the Admissions Office by providing general office support. Duties and Responsibilities: • Input graduate applications and materials into the College’s Salesforce CRM and Colleague database. • Develop and maintain prospective student records. • Perform other data entry and data cleansing tasks related to Graduate Admissions. • Answer inquiries received by phone and in the general Graduate Admissions email account. • Provide support to applicants throughout the application and enrollment process. • Meet and greet visitors to processing office and receive all incoming mail and deliveries. • Track and complete all graduate applications in preparation for committee review. • Assist in the daily operations of the Admissions Office, including general office support such as filing, photocopying, mailing projects, data entry and digital imaging/archiving of enrolled student files. • Input and maintain records of attendees to various promotional events, such as Graduate Information Sessions, campus tours, and Portfolio Days. • Attend and assist with Graduate and Undergraduate promotional events. • Assist with the training and supervision of temporary and student workers. • Track ongoing processing changes and update the Admissions Processing wiki. • Perform other duties as necessary. Qualifications: • Bachelor’s degree required. • Significant data entry experience, excellent computer skills and an ability to learn new programs with ease. • Must be detail-oriented, organized, flexible and hard working. • Excellent oral and written communication skills. • Ability to collaboratively interact as a member of a team. • Effectively multi-task, prioritize and meet tight deadlines. • Willingness to work evenings and weekends as office needs dictate. #LI-DNI

Application Instructions / Public Contact Information

The School of Visual Arts (SVA) in New York City is an established leader and innovator in the education of artists. From its inception in 1947, the College has instituted numerous educational innovations, including the selection of professionals working in the arts and art-related fields as instructors. SVA provides an environment that nurtures creativity, inventiveness, and experimentation, enabling students to develop a strong sense of identity and a clear direction of purpose. Find out what it’s like to work at SVA. Visit www.sva.edu/workingatsva. To apply for this position, please send a cover letter and resume to working@sva.edu. No walk-ins, please. The School of Visual Arts is an equal opportunity employer.

Call for Submission: Sloan Performing Arts Center at Rochester is looking for public art (NY)

CALL FOR SUBMISSIONS- SLOAN PERFORMING ARTS CENTER

Home > Classifieds > Opportunities > Call for Submissions- Sloan Performing Arts Center

Organization

University of Rochester

Website

https://www.rochester.edu/arts/commission/

Country

United States

Location

Rochester, NY

Opportunity Type

Call for Entry/Open Call

Opportunity Discipline

All Visual Arts

Application Deadline

05/15/2020

Description

The University of Rochester is requesting proposals for a site-specific original work of art to be installed within the newly constructed Sloan Performing Arts Center. We seek a work that takes inspiration from the natural landscape as well as the history of Rochester and its surrounding areas. Rochester has historically been a site for innovation and activism: a strong-hold of both the Abolitionist and Suffragist movements in the 19th century and the birthplace of Kodak, Xerox and other imaging technologies in the twentieth-century. Slated to open in 2021, the Sloan Performing Arts Center overlooks the majestic Genesee River. This modern building is the first space to be specifically designed and dedicated to the performance of music, theatre and dance and represents the university’s commitment to the performing arts as a priority area of study and outreach at this world class research institution. The main lobby of the Arts Center will showcase the awarded work on a 51’x 8’ wall expanse above the box office (8’ from the floor). The first phase of the submission process ends May 15, 2020. A maximum of $30,000 will be awarded.

Application Instructions / Public Contact Information

Proposals submitted must include: One pdf (contents detailed below) and up to five proposal images. At least one image must be scaled appropriately (max 24300px X 2400px), others can include proposed details and none should exceed 5MB. One PDF (ten page maximum) must include: Page 1: Name / Mailing Address / Phone Number / Email Address / Brief Bio Page 2 and 3: Resume Page 4: Artist’s statement regarding concept of the proposal (500 word max) Pages 5: Budget and estimated time necessary for completion Pages 6 - 10: images of previous work that demonstrates ability and experience NOTE: Applications must be submitted in the recommended format so they may be evaluated in an objective manner by the selection committee. Entries that do not meet submission requirements will not be considered.

Job: Yale University Press needs a FT Publicist (New Haven, CT)

Organization

Yale University

Website

https://yalebooks.yale.edu/

Country

United States

Location

New Haven, CT

Sector

Academic/Education

Position Level

Experienced (Non-Manager)

Education

4-Year Degree

Position Type

Full Time Permanent

Application Deadline

05/18/2020

Description

Yale University offers exciting opportunities for achievement and growth in New Haven, Connecticut. Conveniently located between Boston and New York, New Haven is the creative capital of Connecticut with cultural resources that include three major museums, a critically-acclaimed repertory theater, state-of-the-art concert hall, and world-renowned schools of Architecture, Art, Drama, and Music. General Purpose: Manages all stages and aspects of publicity strategies or campaigns for 100 plus select titles per year. Creates innovative, effective, accurate press materials and up-to-date media lists, with goal of securing national, regional, and local media placements across all platforms – print, broadcast, and online-only. Manages galley or advance mailings as well as review-copy mailings to media contacts. Manages author and publishing-partner relations for select campaigns, acting as liaison between relevant institutions, booksellers, event venues, and/or YUP departments. Creates compelling story ideas, excerpt selections, features narratives, and interviews content, with goal of obtaining feature coverage, interviews, profiles, and other media coverage for YUP authors and books. Responds to media requests and manages relationships with media sources. Pursues coverage creatively and aggressively, with effective follow-up and follow-through. Manages title campaign updates, including distribution of reviews and quotes. Supplies digital visual content to media as appropriate, including author photos, jacket images, and interior illustrations, within copyright guidelines. Works to amplify effectiveness of media placements through social media channels. 1 Initiates and maintains strong working relationships with new media outlets and contacts, both in traditional print and broadcast media as well as online-only platforms. Coordinates with authors and YUP Sales Department to enhance sales opportunities at lecture venues or book talks. Manages title campaign updates, including review/quote distribution. Maintains accurate title budgets, including timely processing/coding of invoices. May perform other duties as assigned. Required Education and Experience: Bachelor's Degree in English, Journalism, Communications, or related field and three years of book publicity or public relations experience or equivalent combination of education and experience. Qualifications: • Excellent communication skills, both written and verbal. Excellent writing and proofreading skills, and attention to detail. • Highly organized with exceptional attention to detail under pressure. A well-developed ability to manage a large number of campaigns simultaneously and to communicate effectively with various stakeholders. • Proficiency with Microsoft Word and Excel. • Strong familiarity with social media, especially in the context of public relations and/or publishing. • Preferred Education and Experience: Master's Degree or Postgraduate Cert. Experience working in a museum setting and with LexisNexis, Adobe Acrobat, or Creative Suite; with a range of Internet search engines and portals as research tools; use of Cision or Publicity Assistant. Understanding of copyright relating to media usage of YUP books. Established contacts in publishing and/or art media worlds. Application: For more information and immediate consideration, please apply online at http://bit.ly/YaleCareers-60900BR. Please be sure to reference this website when applying for this position. We invite you to discover the excitement, diversity, rewards and excellence of a career at Yale University. One of the country's great workplaces, Yale University offers exciting opportunities for meaningful accomplishment and true growth. Our benefits package is among the best anywhere, with a wide variety of insurance choices, liberal paid time off, fantastic family and educational benefits, a variety of retirement benefits, extensive recreational facilities, and much more. Yale University considers applicants for employment without regard to and does not discriminate on the basis of an individual’s sex, race, color, religion, age, disability, status as a veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. https://your.yale.edu/careers #LI-DNI

Application Instructions / Public Contact Information

For more information and immediate consideration, please apply online at http://bit.ly/YaleCareers-60900BR. Please be sure to reference this website when applying for this position.

Job: SVA is looking for an Editorial Assistant in Academic Affairs (FT; NYC)

Organization

School of Visual Arts

Website

http://www.sva.edu

Country

United States

Location

New York, NY

Sector

Academic/Education

Position Level

Experienced (Non-Manager)

Education

4-Year Degree

Position Type

Full Time Permanent

Description

Department: ACADEMIC AFFAIRS Job Type: FULL-TIME Reports To: CURRICULUM COORDINATOR POSITION OVERVIEW: The individual in this position will support the curriculum coordinator and editorial associate with organization and preparation of course listings and print publications as well as coordinate faculty profiles for the College’s website. DUTIES AND RESPONSIBILITIES: Research professional information pertaining to faculty profiles Compile faculty profiles and upload to website Correspond with faculty and administrative staff regarding the publication and updating of faculty profiles Upkeep of department faculty database Assist in day-to-day operations, including proofreading of course information for SVA publications Manage office calendar and supplies QUALIFICATIONS: Bachelor degree preferred Excellent English language and proofreading skills. Attention to detail essential Strong organizational skills and professional phone manner Ability to work independently, maintain focus and manage detail in a busy environment Macintosh computer skills – Microsoft Word, Excel #LI-DNI

Application Instructions / Public Contact Information

The School of Visual Arts (SVA) in New York City is an established leader and innovator in the education of artists. From its inception in 1947, the College has instituted numerous educational innovations, including the selection of professionals working in the arts and art-related fields as instructors. SVA provides an environment that nurtures creativity, inventiveness and experimentation, enabling students to develop a strong sense of identity and a clear direction of purpose. Find out what it’s like to work at SVA. Visit www.sva.edu/workingatsva. To apply for this position, please send a cover letter and resume to working@sva.edu. No walk-ins please. The School of Visual Arts is an equal opportunity employer.

Call for Artists: "Battlefield 2" art show is hosting a pop up and benefit for the Billion Oyster Project (Brooklyn, NYC)

Organization

Femaninjas

Website

http://www.battlefieldartshow.com

Country

United States

Location

Brooklyn, NY

Opportunity Type

Call for Entry/Open Call

Opportunity Discipline

All Visual Arts

Application Deadline

03/20/2020

Description

Artists have a unique power to give voice to political protest. We are here to use that power to fight. We invite you to join us on the battlefield. “Battlefield 2” is seeking work from visual artists who are ready to combat the growing, human-made threat to all life on our planet. Work should in some way be relevant to this mission. Accepted pieces will be exhibited as part of a one-day fundraising event featuring workshops and speakers. It will engage attendees in a way that educates them and fosters direct action in response to climate change. 50% of proceeds will be donated to the Billion Oyster Project. We have chosen to support the Billion Oyster Project because they are an organization that directly improves New York City’s sustainability and local ecosystem. The Billion Oyster Project's goals are as follows: “By 2035, one billion live oysters will be distributed around 100 acres of reefs, making the Harbor once again the most productive waterbody in the North Atlantic and reclaiming its title as the oyster capital of the world.” To date they are responsible for: “30,000,000 oysters restored = 19.7 trillionGallons of water filtered = 72,500 Pounds of Nitrogen removed = 1,400,000 shells reclaimed & recycled.”

Application Instructions / Public Contact Information

This is an Open Submission. You may submit up to 3 works of art for consideration. Acceptable mediums include photography, painting, drawing, printmaking, sculpture, mixed media, video with a monitor or projection capability, textiles, etc. All artwork must be ready to hang. Submissions will be reviewed by our panel and selected based on interpretation of the theme, merit of the work, and visual impact. We ask that your work be no larger than 40 inches in any direction. It can be smaller, it can be an odd shaped, it can be 3D, but no larger than 40 inches. Submit your work: Submission deadline: March 20th, 2020 Notification of accepted work: April 6, 2020 Submit entries to: battlefieldartshow@gmail.com Directions to submit work: All submissions must have these elements to be considered: 1.Digital Images You can submit up to 3 digital images of artwork for consideration. Submissions must be jpeg and no larger than 1080 pixels on the longest side. Size of artwork cannot exceed 40 inches in any direction. Label files: lastname_firstname_titleofwork.jpeg 2.List of submissions Include medium, title, date, price 3.Brief Artist Bio Max 150 words 4.Brief Artist Statement Max 200 words Accepted entries must deliver and the artwork and retrieve if unsold. Specific times and location will be announced later. Artists will receive 50% of profit from their sold work. The remaining 50% will go towards the fundraiser. All artwork must be ready to hang, and labeled on the back. By submitting work to the exhibition you confirm all works are original, made by you, and that we may use images of the artwork to promote the exhibit on their website and for press.